Based on an idea by patron S, this unique production centers around a series of excretion acts, creating a distinctive and intense narrative. Women are bound by ropes, trapped in inescapable situations as they undergo enemas and are tormented by overwhelming urges to defecate, writhing in shame and discomfort. They gaze at themselves in mirrors, helpless as their bodies betray them, ultimately forced to involuntarily release their bowels. Lesbian director "Binka" witnesses it all, culminating in the shocking scene where she wipes away the excrement herself. Female partners are placed in deeply humiliating scenarios, forced to wipe each other's feces, their reflections in the mirror amplifying their shame. Two women who are close friends appear, embodying extreme embarrassment as one defecates in front of the other. Attempts to call for help go unanswered, leaving them exposed and aware of their own disgrace. Binka appears, strips off their underwear, and mocks them as feces drop down. The smell and shape of the waste are commented on, heightening their humiliation. A voluptuous woman begs the cameraman to cut her ropes with scissors, but is ignored—unable to hold back any longer, she finally lets go, whispering "No way…" as Binka wipes her ass. She describes feeling like a baby, further shamed within her friendship. Suddenly, Binka appears again, administering another enema, reigniting the struggle against bowel urges, torn by the words "I'm not looking, so go ahead, just do it." They even share and examine the soiled toilet paper, exchanging their embarrassment. In this work, the everyday act of excretion becomes a dramatic spectacle of extreme shame and degradation. As a representative of the Excretion Society, the main performer appears with her face fully visible, promising raw and realistic depictions.