[MIDA-597]

The cool-type visiting helper with a godly waistline and G-cups gently yet calmly helps my neglected dick, which I can't use due to an injury, ejaculate 20 times. Sakura Miura

After an accident while jogging, I was left with injuries that made me almost unable to move. To break free from the inconvenience of daily life, I refused hospital care and decided to call a helper. The one who showed up was Miura, a helper in a skin-tight uniform, her alluring breast curves impossible to conceal. In a flat, matter-of-fact voice through her mask, she performed the assistance. Facing a woman more than I expected right before me, I couldn't help but get an erection. With businesslike hands, she reached for my pants. "If you're willing to pay the fee, I'll take care of this as well." Even with my dick right in front of her, her tone remained flat. Only to perform sexual handling in a businesslike manner. My masochistic side was tickled by the straightforwardly erotic acts devoid of any extra emotion. She certainly stimulates my weak spots. Her big breasts shaking violently before my eyes, her thick thighs spilling out of the tight outfit. Saying things like "Three more times" in a cool voice, she keeps milking me without allowing any post-orgasm cooldown. Close-contact care in the bath, and nighttime oil massages. The pleasure of being made to climax again and again, at the mercy of her expressionless demeanor. The frustration of being unable to move gradually transforms into the ultimate excitement.

A home-visit helper classic that can be considered a masterpiece; every part you cut out is like a highlight. With the setting of a visiting helper, restrained reactions that aren't over-the-top, pale and elastic skin on big breasts, the way beautiful skin is showcased through lighting that shifts from morning to day to night. Furthermore, every condom-wearing scene, confirmation of the amount after ejaculation using the rubber, wearing a mask, extremely lewd underwear, handjob with visible chest through clothes, and many other elements that hit the spot were packed in, so I paid and bought it without hesitation. From the beginning, I was convinced it was a hit, a flawless production. To list more good points, first, the attention to costumes is extraordinary. There are few works that manage to establish "business-like sexual processing" even while having sex completely naked. Honestly, I was tired of productions where reason flies out the window the moment they become naked, so this atmosphere of being business-like, quiet, yet erotic even while naked was exactly what I was looking for. Even just the choice of clothing has one or two twists, and the creator's dedication comes through everywhere. Besides the bathroom scene, there are three sexual encounters, and each time the outfit is different. The flow of first with plain clothes, second with extremely lewd underwear, third completely naked creates a perfect formal beauty. And in the final intercourse, while maintaining that formal beauty, they throw in an extremely lewd curveball—a hateful composition. The volume that makes you wonder if making him ejaculate three times is the default is also more than satisfactory. As a complete form of business-like sexual processing, it's outstanding. She shows expressions of moderate pleasure throughout, squeezes out a large amount of sperm, but does not treat the user as excessively weak. She doesn't overdo coming, doesn't become a lover, and remains thorough as part of the service. She makes you think this is the ultimate, then quietly betrays expectations in the last scene. However, since the formal beauty is solid, there's no feeling of being completely betrayed. This balance is truly exquisite. After making him ejaculate three times, the development where she leaves quickly without changing clothes, as if saying "That's enough for today, right?" with a blank expression, was fresh. As someone who has seen many care-related business-like sexual processing works, in my experience, "lewdness" and "business-like sexual processing" are originally oil and water. If you lean toward one, it becomes greasy or watery, but this work has both wonderfully mixed and emulsified. You probably don't understand what I mean, but that's how exquisite the balance is. It stands apart from any work I've seen before. The way lewdness is shown is also exquisite. Everything is "deliberately not deliberate". A sense of lewd balance, so to speak, is maintained throughout the entire work. The technique of making you feel eros in a natural flow without relying on excessive production is nothing short of brilliant. I've been writing at length, but no other actress could produce this "feeling" by doing the same thing. I own several works by Sakura Miura, and in VR too, I've been greatly indebted to her pale skin, big breasts, and childlike face. However, I sometimes found her acting wooden. But in this work, I strongly felt that it only works because of Sakura Miura's presence. Her unique atmosphere meshes perfectly with the theme of business-like sexual processing. Finally, let me close with a word of thanks: "Thank you very much." Please point your butt towards the camera! I beg you (crying). Sakura Miura's skin texture is beautifully captured in the filming, and she is always the best. The only thing that bothers me is whether it's due to circumstances on the actress's side, but it feels like the editing intentionally avoids showing her butt from the front when she's standing. I hope it's just my imagination, but it seems consistent across her past works as well. Everyone acknowledges Sakura's beautiful breasts, but in fact, her butt has a volume that you wouldn't expect from her waistline, and it really stirs my fetish. Yet, it's truly disappointing that I can hardly get to see that view. I sincerely hope that someday this butt will be unlocked. Please provide the full Japanese text of the AV review. I started watching this with the image of a forbidden caregiving theme like those seen at other makers, but the story overall has no ups and downs, and it proceeds monotonously without any particularly exciting points. The biggest issue is the script structure—there's no sense of tension or emotion, and it was far from the content I expected. The only saving grace is the presence of the lead actress; I found her performance and atmosphere appealing. Considering that point, I barely add one star.