It was good. Nanami Matsumoto’s appeal is truly incredible! On top of her adorable face, her ideal proportions were a feast for the eyes. The portrayal of her downfall was masterful, and I found myself completely drawn in. Without a doubt, this is the finest work out there!
Nanami Matsumoto, this film suits you, doesn’t it? Nanami has truly reached veteran status, but her charm still lies in that natural cuteness. In this latest work, that quality is fully on display, and I found myself thoroughly drawn in. Her translucent expression, unchanged even as she ages, is wonderful, and I have high hopes for her further growth in the future.
Pierre Ken, huh... Pierre Ken (skinhead) is not normally characterized as someone who calls himself "grandpa" in everyday situations. True, at his age he's close to 60, so it wouldn't be unreasonable to call him that, but that's a separate issue. The real problem is that he pushes himself too far to the forefront and drives the action forward, which honestly makes it uninteresting. So much so that you start thinking, "Then why do we even need the other mob male actors?"
The remaining two middle-aged male actors clearly stay in a deferential mode throughout. Ideally, I would have wanted to see much more of those two freely toying with Nanami Matsumoto. But in reality, Pierre monopolizes the scene, and the key moments are almost entirely absent. Pierre's "that thing" is already something we've seen to the point of exhaustion in every AV. On the other hand, the two reserved male actors are a rare and valuable presence in this kind of interaction, yet that potential is left untapped.
Since they appear in the production as fellow actors, shouldn't all of them be given equal opportunities to engage with the actress? I can't help but think so.
Conclusion—this work ends up being nothing more than Pierre's one-man show.
Hope for a series of neighborhood association strip rock-paper-scissors NTR. The story's construction is lacking, the development of each chapter feels structurally repetitive, the sex scenes are monotonous, and the ending is quite sloppy. Considering only these elements, I have to say the quality would normally warrant a low rating. However, with Nanami Matsumoto as the lead, her presence and charm carry the entire work, and honestly, it barely settles into an "average" rating. From the next work onward, if they carefully refine the script and cast actresses who can truly act, I believe they can create a work that stands regardless of breast size. I look forward to that potential.