Renamed: Rin Yakumo Her neatly pretty face combined with the erotic allure unique to a perverted woman makes her attacking style addictive after just one viewing. In particular, the doggy-style fellatio that occurs around the 25-minute mark has a superb camera angle, and you can't help but be captivated by that obscene sight. The raw insertion in the missionary position is also highly impressive, and the scene where she performs fellatio and then has a massive ejaculation into her mouth while still holding it is so irresistible that you can jerk off to it endlessly. In the final missionary creampie, the way her pussy flesh convulses is as erotic as it gets, making for the perfect climax. Overall, the impact of her aura and lines hits you right in the head, making this an absolute must-see.
She is cute, has big breasts, and her body is nicely plump. This work begins with aunt Kanae Mitsuki visiting her nephew Kazuya (Ikeda Wataru). Kanae, who asks to stay over to attend a friend's wedding, refuses Kazuya's offer to sleep on the sofa and tries to sleep in the same bed, saying, "We're like family." However, Kazuya is too conscious of his aunt's presence and ends up greeting the morning without a wink of sleep.
The next morning, Kazuya sees Kanae brushing her teeth at the kitchen sink and gets an erection. He tries to hide it with his hand, but she peers into his face asking, "What's wrong?" and he finally reaches his limit. He embraces her and steals a kiss, confessing, "I've been so bothered since yesterday that I couldn't sleep at all." When he rolls up her sleeveless sweater, her voluptuous big breasts appear, and he carefully licks her armpits and nipples. With her shorts pulled off and made to grip the kitchen counter, her butt cheeks are groped, and her panties are shifted aside to lick her anus—the sense of taboo in the everyday space of the kitchen is irresistible.
Moving to the bed, it starts with an immediate blowjob, then changes positions one after another—missionary, cowgirl, doggy style—and finally finishes with a creampie in missionary. However, after Kanae goes out, Kazuya is tormented by regret alone on the sofa.
However, when Kanae returns home drunk and pinky-swears to "make up," they end up having sex again. This time Kanae is the aggressive one—she inserts her tongue and guides Kazuya's hands to her breasts and crotch. Her bold drunken behavior is striking: she lifts her dress to have him smell her crotch, rubs her cheek against his penis. She pulls down her panties, wraps her legs around his neck, pulls his head in, and toys with him with immediate cunnilingus and fingering. The scene where she licks his penis and scrotum, gulps down the semen shot into her throat, and responds with a tongue kiss is intensely rich.
Afterwards, Kazuya begs Kanae, who has sobered up by drinking cold tea at the dining table, not to leave. He makes her call her husband and say, "I'll stay a bit longer at a friend's house." While she's on the phone, Kazuya gropes her breasts, lifts her dress, and fondles her crotch. Kanae herself puts a hand into her panties, pushes up her bra, and has him grope her big breasts. After hanging up, Kanae takes off her panties, shows off her masturbation in an M-legged spread, and comes just like that.
In bed, when Kanae sweetly asks, "Raise your hand if you want to love each other forever," Kazuya raises his hand. He has his T-shirt pulled off, his nipples licked, gets a handjob, gets face-sat, and has his scrotum and penis sucked. From cowgirl to flower-clock reverse cowgirl, doggy style, doggy style with extended legs, floating hips, rear side position, and missionary—they reach vaginal ejaculation in a truly diverse array of positions.
The work closes with Kanae's pleading words: "I told my husband I won't be home for two or three days, so let's do it a lot." While depicting the taboo relationship between aunt and nephew, this piece carries a somehow warm atmosphere.