Two for Fuji Kanna The reason I deliberately didn't skip the long interview part (which is also viewable on YouTube, and that version has more substance) and watched it to the end was to heighten my excitement for the sex scenes that followed. However, when it came to the actual action, the majority of the footage was shot from a fixed camera from a bird's-eye view, and I felt no sense of presence or immersion at all. In the POV sex video genre, the most important thing is how well you draw the viewer into the scene, but this director doesn't understand that basic principle at all. I was left with a strong impression of just being shown, from a distance and with a cold eye, an AV that seemed like the director was enjoying it only for himself. It's not worth buying; the content is more than satisfying enough for a rental.
This is a divisive work. I found this work introduced on Fuji's note on the release date, watched the YouTube as well, and then purchased the work.
The opening part overlapped with the YouTube content, and I wondered if it was necessary. I think the best way to enjoy this work is to sequentially watch note, YouTube, and then the main feature, rather than as a standalone AV. The trajectory leading to her AV debut and her feelings toward her parents, which were also written in Fuji's book 'Naked Swan', are further explored here, with particular mention of episodes involving her parents. She also speaks candidly about her current struggles as an actress, her anxieties, and her relationship with her agency. This is probably the cause of her tears. Director Yanai draws out those feelings with a gentle and soft tone, carefully piling on questions. As if something dammed up had collapsed, her emotions overflow endlessly.
The main feature is in a first-person POV style. Honestly, I don't like this method. However, among the POV works I've purchased so far, this was the most natural performance. The way the two intertwined while kissing in a face-to-face seated position was intense, conveying a strong mutual attraction. I think it's a good work. Of course, opinions will vary. But I still disliked the sense of distance.
To point out issues, there was a sense of distance in the kissing scenes, making it hard to convey the heat, and the director's hair intruded into the frame, being a nuisance. Also, there were moments when the kissing scenes went out of frame, which I have to say is a no-go for a work. Moreover, why doesn't the director expose only the shoulder area? Could it be that he has a tattoo? It's a matter of preference, but I dislike tattoos. The filming method had problems, but Fuji's performance was wonderful.
I got a good sense of Kanna's inner self, but the climax... This was my first time learning about Fuji Kanna, and I was truly amazed by her unique background. In the first half of the video, she candidly talks about her upbringing and inner feelings, which had many relatable moments and was very good. As for the actual sex scenes, while the emotions between the two matched well at the start and things progressed smoothly, the overall intensity didn't live up to my expectations. What bothered me even more was the camera work—the cuts felt somewhat jarring. This could have been improved with editing, and it's a real shame that it wasn't.
Transition from Tearful Confession to "Full Release" I was deeply moved by the scene in the interview where tears wouldn't stop and emotions overflowed. The dramatic shift from that to a raw, handheld recording was truly masterful, taking my breath away. The intensely passionate interaction, as if releasing all the suppressed feelings and pressure, overwhelmed me. The moment of liberation, both emotionally and physically, was seared into my mind—perfectly captured by the phrase "total release."