[ALDN-581]

Wives Who Fell into the Pleasure of Creampies Hikari Kisaki

To think that behind my boss's protection, my wife was being treated as a tool for sexual release... I was on a business trip, knowing nothing, and only felt grateful to my boss. However, that gratitude was betrayed, and I was faced with a certain proposal. Not content with just a relationship with my wife, my boss demanded an even deeper relationship with me. Now that I know the true nature of the boss who once seemed like a god to me, what choice should I make...?

It's not that Hikari Kisaki refused "group play", right...? Takara Eizo's popular series often give the impression of many works with similar patterns, but even with the same title, I feel they put effort into detailed settings and developments to differentiate themselves. In this work, changes were seen from the middle onward, providing a fresh feel. I can't help but wonder why they hadn't cast Hikari Kisaki until now. It's because the role perfectly fits her charm. Kisaki offers her own body to save her husband from his predicament, but you can sense her feelings of disgust and contempt towards the department chief. I'm curious whether the line "Please go easy on me..." was ad-libbed or scripted. Kisaki tries to maintain a calm facade, but it's clear she is feeling things; the scene where she is spread-eagled on the sofa and has her private parts fondled is tense. When ordered to strip completely, she takes a breath before starting to undress—a impressive gesture. Even though she is mentally cornered, when the department chief praises her naked body and she replies "Thank you very much," it's a charmingly skillful performance. Kisaki, known as a clever actress, probably has a calculated performance plan even for her moaning. This time, she refrained from wild, nympho-like behavior and went with restrained expressions. I think this choice was correct. In the loving sex scene with her husband, the story depicts the wife gradually becoming more skilled in sexual techniques and lewd, causing the husband to feel a sense of unease. This is because of the influence of her encounters with the department chief. Kisaki's moaning also intensifies in stages, and I am impressed by her skill. The scene where she actively intertwines tongues, lies on her back on the table to take it in her mouth, shows masturbation to seek insertion, and then straddles the department chief sitting on a chair—that scene is breathtaking. Kisaki accepts the play proposed by the department chief. The outcome that awaits may be despair for her, but it kindles expectations. The moment she accepts a new man while blindfolded with a necktie is tense. Then the blindfold is removed, and the one who appears is the man she once must have cherished the most. Afterwards, there is a scene where she copulates with the department chief again, but it felt a bit overly long. I think the pattern where the husband appears as the last partner in the group play, and the blindfolded wife recognizes the truth as the curtain falls, is superior as a dramatic structure. Aura Explosion Not only is the beauty of the video outstanding, but the impact of the package photos is also superb, making this a work that immediately captivates visually. The story follows the usual flow of a lewd boss forcibly making advances using a suspicious contract as a shield, but a subtle surprise is prepared toward the end, preventing any sense of monotony. The biggest highlight is the skillful presentation of Hikari Kisaki's refined facial features and supple body. With high video quality as well, you can thoroughly enjoy it from multiple angles, including the story and visuals.