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Cursed Rope: Deceived by a former research colleague, a voluptuous female archaeologist becomes a sexual sacrifice in a house haunted by evil spirits. Hibiki Natsume.

Takeshi inherited an old house and discovered a creepy rope hanging from the ceiling. That rope was used in the Edo period for the execution of rapists, and the grudges of the sinners continue to seek young female bodies. After hearing the story from the secretary, Takeshi became possessed by the evil spirit and called his former research colleague Hibiki to the house as a sacrifice.

Is it the body or fate that is bound by the rope? - Hibiki Natsume, an excessively bewitching forbidden horror This work is a piece where the oppressive atmosphere unique to Japanese horror, which gradually erodes the mind, and Hibiki Natsume's overwhelming presence blend together exquisitely. The decaying old house, the curse ropes hanging carelessly from the ceiling, and the eerie customs rooted in the village—the sense of "inescapable confinement" that permeates from the very beginning is depicted masterfully. What particularly lingers in the mind is the contrast between the intelligent expression shown as the archaeologist Hibiki and the delicate expression shaken by fear. The more she tries to act bravely, the more she is gradually cornered, naturally drawing the viewer into the world of the story. It is not merely a sensational production; the drama centered on "grudges" and "betrayal" is solidly constructed, making it a horror work with plenty to offer. The eerie Japanese-style effects and the bewitching atmosphere blend perfectly, and the unique tension never wavers until the final scene. For those who want to experience that feeling of "it's scary, but I just can't look away," this is a work I strongly recommend. [This work, which has 3 remaining until retirement, 'Cursed Rope'] First, the visual of the bespectacled female archaeologist, Hibiki Natsume, is absolutely stunning. I was instantly captivated by the gap between her intellectual aura and her voluptuous body line. At that point, I was completely drawn into the world of the work. The story is not to be underestimated either. The setting of the "cursed rope" and the grudges passed down in an old house is carefully crafted, giving off a profound atmosphere that goes beyond just a typical production. The gradual changes in Hibiki's expressions and demeanor as she is slowly cornered are truly excellent, and the bewitching allure she displays especially "after being possessed" is a must-see. And finally, the interview included at the end. This part absolutely cannot be missed. The contrast with her natural expression after the work once again highlights the charm of Hibiki Natsume. There are probably fans all over Japan who want to support her. She has a unique presence that makes you want to cheer her on even from afar—truly a radiance that only she can emit. Retiring this year? There are rumors that she will retire this year, but it's really a shame that she's only in such low-quality works. I wish she had appeared in higher quality, more substantial works. The screen is too dark. The setting is overly complex and poorly organized, with an excessive amount of world-building and character backgrounds crammed in, making it impossible to follow the content. Even more fatal is that the screen is consistently too dark from start to finish. Due to issues with lighting and color design, even the erotic scenes fail to showcase their intended appeal at all, completely ruining the visual excitement. You lick the belly button too!!? The web-like intricate bondage play is truly captivating. It's irresistible how she carefully licks not only your armpits and nipples but even your belly button. I strongly wish she would add some finger-probing stimulation as well.