The background music is too loud. I didn't notice it when watching the sample, but throughout the entire main feature, a low-frequency BGM that resonates in the head keeps playing constantly in the background. This BGM is nothing but noise, significantly detracting from the immersion in the work, and I found it very distracting. The actress's appeal and the content of the scenes were perfectly to my taste, so it's a real shame that this unnecessary BGM ruined it—truly a wasted opportunity.
Unrealistic face-to-face seated position camera angle and slovenly male actor's belly In recent VR works, perhaps with the intention of making it easy for the viewer to clearly see the partner's face, the mainstream approach is to adjust perspective and dick positioning to at least place it in front. However, considering reality, unless there is a significant difference in physique, in sitting or missionary positions the partner's face should be above, and if that point is missing, immersion is inevitably compromised. Additionally, there are many works where the dick positioning is too far or the waist area appears shrunken, causing a sense of discomfort, and personally I can't help but be bothered by it.
Regarding this work, in the face-to-face sitting position, the partner's face comes almost directly below, which is extremely unrealistic. Furthermore, as a common trend in recent VR works, the movement is suppressed to keep the partner's face from shaking, which further accelerates the lack of immersion. Honestly, even though the image quality improves year by year, I feel that buying works from a few years ago gives much more realism and immersion.
Also, I was bothered by the male actor's flabby midsection. In reality, there is no experience of one's own belly sagging like a water balloon in the missionary position, nor the experience of the belly obstructing the view of the junction, so my attention inevitably goes there. One might have a desire to experience a toned body, but never the opposite.
That said, the cowgirl position continues for a long time, and there are many kissing scenes, which have been praised in other reviews, so there were definitely good points. I honestly think that was good.
Good As the title suggests, there are plenty of kiss scenes, and in the latter half especially, there are continuous close-ups focusing on Rei-chan's face, giving the impression of a face-focused close-quarters battle. Those who prefer angles from behind may find it lacking, but in exchange, you can fully enjoy the dense, intimate moments of gazing at each other from the front.
Transformed from the innocent, young lady-like atmosphere of her debut days, in this work she has evolved into an actress radiating a glamorous and erotic aura, captivating you with every expression. If I had to nitpick, I would have preferred to see her in a school uniform rather than the lingerie in the latter half. Also, because of the "secret insertion" scenario, the voices are overall subdued, and I felt I wanted a bit more volume.
Other than that, there is a long, dense entanglement, but whether you're satisfied halfway or stick with it to the end is left to the viewer's judgment. That's up to your preference! Laugh.
Kiss Ejaculation Festival This work is structured in two parts: Part 1 and Part 2. In the first half, the focus is almost entirely on kissing for about half the runtime, then transitions to handjobs while still kissing for the remaining half, leading directly to ejaculation—a flow that leaves a strong impression.
In the second half, the number of ejaculations decreases slightly compared to the first half, but the composition allows you to thoroughly enjoy the sensation of using the entire body. That said, the amount of kissing remains very high, and during cowgirl thrusting or POV filming scenes while kissing, there are moments where you're made to cum two to three times.
Throughout the entire work, the number of ejaculations is so high that Rei-chan calls it an "insatiable cock." By my own estimation, I think I ejaculated about eight times in total.
If I were to point out a flaw in this work, it would be the difficulty in timing the ejaculations. This is based on my feeling relative to the total number of ejaculations, but there were some scenes where it was easier to sync the timing.
Genres like kiss-fucking, face licking, and saliva drinking are often grouped together in similar works, but this one delivers a straight, direct hit in the kiss-fucking genre. There are several scenes where she lets you drink her saliva or licks your face, but compared to other works in this category, it feels somewhat restrained.
In conclusion, if you like kiss-fucking and want to cum while kissing, I recommend buying this.
This is a masterpiece. This is undoubtedly reaching the realm of a masterpiece. Rei Kuroshima's charm is brought out to the fullest, and the level of immersion in the work is at a level that no other can match.
The direction is also superb, with a very innovative composition of the footage. It starts with a 2D image of a night entertainment district, then shifts to a surveillance camera-like perspective showing scenes of other customers being served, transitions to Kuroshima's opening video, and finally connects to the main feature—this flow is truly skillful. With this introduction, the viewer is naturally drawn into the world of the work. The lighting is not overly bright, and the realism is such that you almost feel as if the play is actually taking place in a real store.
Kuroshima's kissing scenes are particularly impressive, combining elements of a nymphomaniac with a cuteness that coexists. The close-quarters combat continues endlessly, and the succession of kisses and play really got me excited. The ability to use so many close-up angles is proof that the director's skill is godlike. The erotic elements are unquestionable, and the volume exceeding 100 minutes provides a high level of satisfaction. In terms of shooting method, angles, and everything, this work is an extraordinary finished product.