[DLDSS-487]

Prostitute: Tonight, I Will Be Held by the Ugliest Man. Naho Ozawa

The "best" sex that takes away both body and mind from the worst man begins now. "Tonight, I Will Be Held by the Ugliest Man..." I was a secretary, rescued from President Ozawa's sexual harassment by my colleague Yusuke. We got married, quit the company, and started our own business. Our management seemed to be going well, but while suffering from troubles, my husband was approached by a certain man who suggested making me work at a dating club. I was told that the clients were all gentlemen like business owners and that they would just have dinner, so I made up my mind. However, the one who appeared was the most despicable, worst, and most contemptible President Ozawa.

Even if you can take away my life as a wife, you will not take away my life as a woman. The overall calm atmosphere is striking, with her gentle demeanor, elegant expressions, and glossy lips catching the eye. The subtle shifts in her expression when faced with an unexpected situation are skillfully depicted. When touched, clear rejection and confusion surface, and her inability to hide fear and anxiety is palpable. The complex emotions of wanting to assert herself strongly while also wanting to save her husband are naturally conveyed through every glance and gesture. The rejection that was initially clear gradually weakens as she is backed into a corner. This change isn't a simple emotional shift but is expressed as confusion and conflict—"I don't know what to do"—creating a strong sense of tension for the viewer. The process of her showing superficial compliance, not out of her own choice but pushed by circumstances, is carefully portrayed. Even though she doesn't truly accept it, she tries to embrace reality out of a desire to help her husband. That poignant anguish is convincingly conveyed through delicate expressions. Losing the means to resist the situation, her rejection slowly fades. Whether it's resignation or acceptance, the scene transitions into a mix of these complex emotions. Has she accepted everything? Or is she holding onto that last line of defense? In the final scene's expression, there seems to be a beauty in "following one's own heart" even in an absurd and unreasonable world. Do you know the flower gazania? During the day, it blooms vividly, and when night falls, it closes its petals as if to protect itself. It has the strength to endure harsh drought, but if given too much water, its roots rot. Its flower language is "I am proud of you." The heroine of this work reminds me of that gazania nature. A story of strength, fragility, and pride coexisting, deeply lingering in the heart. It was the best. Despite being a lengthy 170 minutes, the content was very rich and I was thoroughly satisfied. The interactions with President Ozawa are concentrated at the beginning and in chapters 3-4, while chapters 1-2 form the training segment as a prostitute. Even so, in the end, the way Naho gradually falls and the process of her husband's heart breaking created an exquisite flavor. I am considering purchasing more of the "Prostitute" series in the future, but since DAHLIA has almost none of my favorite actresses, I would like to see actresses like Riho Fujimori and Yukine Nakazaki make guest appearances as well. Both appearance and story are excellent. First, what surprised me most about this work is the stunning appearance of the lead actress. Her beauty shows no trace of age or a long hiatus, making it hard to believe she is over 40. The firmness of her skin, the richness of her expressions, and the overall aura she exudes convey the pride of a seasoned performer, elevating this beyond a mere story of an amateur housewife's affair. It truly convinces you that "this is the way of a prostitute," and she carried a professional presence. Additionally, the story unfolding against a melancholic piano piece is solidly constructed without any wavering, and I admired its high level of completion. I am strongly curious whether a sequel that matches or even surpasses the acting ability of the lead, Naho Ozawa, will ever appear. Beautiful Naho's works are overflowing with the unique sex appeal of a mature adult woman, and I am captivated by her beauty and eroticism. In particular, the co-starring scenes with male actor Ozawa are of consistent quality, and the sight of her thoroughly swallowing the saliva he has held in his mouth is irresistible. The moment when she, with that beautiful face, seeks out and drinks down the saliva of a middle-aged man is enough to excite me countless times on its own. I strongly hope that when she co-stars with male actors other than Ozawa, they will include similar scenes of her drinking saliva. Every single expression and gesture of Naho's is supremely erotic, and just watching her is a continuous thrill of excitement. Excellent as a drama as well. Thanks to the story's careful structure, the shifts in the protagonist's emotions are very easy to understand. The ending in particular leaves a lingering impression, making it a wonderful conclusion that deepens the overall impact of the work.