[SNOS-240]

My beloved girlfriend was a company-shared pussy who spreads her legs for anyone—my boss, peers, juniors... But still, I get a frustrating erection, pathetic me. Yuka Murakami

For you, Yuka, whom you dated at the same workplace, was a girlfriend you were so proud of that she seemed out of your league. She was beautiful, had a great figure, was cheerful, and got along with everyone—she was exceptionally popular among the men in the company. The annoying middle-aged boss, your close colleague, the new junior recruit—she got along well with all of them, and you admired her for it. But you had no idea what lay behind that popularity. Yuka was fucking every single one of them like crazy. While you were buried in work, she was casually and happily sleeping with the men at the office. "Resist more... Why are you having sex looking so happy...?" you muttered, bitterness seeping through. You should have felt bitter, sad, and hurt. And yet... somehow, your crotch was getting hot. "Sorry for cheating," Yuka said. "But why is your dick getting hard?" Oh, why are you getting an erection...?

Yuka Murakami's temptation is the best. The title of this work, "Company Shared Pussy," is unclear whether it was given by the manufacturer or director Sapporo Taro, but it certainly packs a powerful punch. In this film, starring Yuka Murakami, the storyline is excellent: despite having a boyfriend named Yusuke, she repeatedly has sex with various other men in different situations. First, in the scene with her coworker Yuta Aoi, Yuka performs fellatio, then is attacked with cunnilingus and missionary position by Aoi, followed by Yuka taking the cowgirl position. Naked Yuka is then pounded in doggy style by Aoi, and after being attacked again in missionary, he ejaculates on her chest. The setup where Aoi films all of this on his smartphone adds to the realism. What particularly catches the eye is Yuka's translucent, beautiful fair-skinned nude body. Just looking at it naturally heightens arousal. Her aggressive performance was truly worth watching. In the sex with her junior colleague, the toy boy Aizawa, the scene where Yuka is attacked in standing doggy style was especially striking and captivating. And when Yuka asks Aizawa, "Am I beautiful?" and he replies, "Beautiful! Incredibly beautiful!" I couldn't help but want to chime in myself. It reaffirms that Yuka is the best woman and the best actress. In the sex with her boss Kunio Katayama, the two go at each other fiercely naked on the bed, and the highlight was the scene where Katayama attacks in missionary and ejaculates on Yuka's belly. Yuka's moans and orgasms in every situation are simply the best. Finally, the scene where Yuka induces Yusuke to ejaculate with a handjob, says "You came too much!" and then shows her hand covered in semen, struck me deeply. Overall, this is a superb work that fully showcases Yuka Murakami's company-shared pussy. Everything is in the palm of her hand This work is a piece that allows you to fully enjoy Yuka-chan, who shows different charms in various situations. It depicts Yuka-chan, who, despite understanding intellectually that cheating is wrong, cannot resist her coworker's forceful advances and her own sexual desires, gradually beginning to enjoy the sense of guilt. Also impressive is the process where, unable to refuse a persistent request from a junior colleague, she gives in to his demands, only to find pleasure in bullying him instead. Another highlight is Yuka-chan taking advantage of the loneliness of a department chief whose relationship with his wife has cooled, accepting his invitation and indulging in pleasure. Furthermore, Yuka-chan's nurturing nature shines as she gently comforts her boyfriend, who reacts physically even though he knows everything. The story is so cleverly constructed that when you hear the final whisper, you fall under the illusion that all these events were actually orchestrated by Yuka-chan herself to satisfy her own sexual desires, manipulating those around her as she pleases. The Last Depressing Handjob... It was truly a wonderful work. Especially the handjob scene in the depressing development at the end was spectacular, and I felt it expressed the essence of NTR works without any omission. A social commentary piece questioning the state of companies in the Reiwa era! Yuka Murakami plays the role of the office Madonna, unfolding a world of open office love. While she is in a secret romantic relationship with the protagonist at work, the striking development is that she ends up being "shared around the office" with her peers, juniors, and even her boss at every turn. However, it's not that she's reluctant about it; rather, because Murakami herself has an open-minded attitude toward sex, every scene starts with a natural flow. This good pacing doubles the eroticism and makes it pleasant to watch. And the unique "marking behavior" of giving homemade cookies to the men she's been with symbolically represents her mischievous, little devil personality. In the end, her boyfriend finds out, but the comforting handjob that unfolds there is the true highlight of this work. On the surface, Murakami pretends to feel bad about what she did, but inside, you catch a glimpse of her little devil true nature, as she takes the entire office under her control, which is extremely erotic. Having been a working adult for nearly 20 years, I've come to truly appreciate the importance of "reporting, contacting, consulting," and "sharing." This is not just a pornographic work; it can be said to be a socially conscious piece that young people of the Reiwa era should definitely watch. It was extremely good! Even for butt fetishists! The scenes repeatedly showing the line of her buttocks in her usual standing posture are a rare angle rarely seen in AV, constantly tickling my fetish heart. The deep kiss scenes are also intense and stand out in eroticism, and furthermore, the delicate texture around the anus where hair is starting to grow thinly, and the close-up of the armpit shown with a larger area, feel the attention to detail and are the best finish.