[ROE-487]

When I Went Back Home, My Grandfather and Mother Were Fucking. That day, the incident I witnessed changed me into a lifelong "mature woman lover"—. Maki Tomoda

I live in Tokyo and returned to my family home for the first time in a while. My parents and grandfather live there. My grandmother passed away, and my grandfather has been depressed, mostly bedridden. My mother takes care of him, but my father has no interest in the family and is always out. One day, I heard a strange noise coming from my grandfather's room. It was unmistakably the moans of a female in heat. Curious, I quietly slid open the shoji screen. Inside, I saw my mother, vulgar and lewd, having her breasts sucked and lovingly stroking my grandfather's dick.

Maki Tomoda's Gravitas In the performances of Maki Tomoda and Ozawa, you can clearly feel calmness and stability, and there is a unique charm that only these two can bring out. Including the verocce scene, that atmosphere added depth to the entire work. And the lingering feeling of the ending is very impressive, leaving a sense of anticipation that makes you want to see a sequel to this work. The best. If it's the biological father instead of the stepfather, the sense of taboo is even more intense, and just imagining it makes me endlessly excited. The setting where the mother has a relationship with her biological father has an incredibly extreme sense of taboo, which multiplies the appeal of the work many times over. Maki's T-back ass is fappable. As a fan of Maki-san, this work was truly a dream come true. From the opening, the curve of her back in a thong while performing fellatio was irresistible, with a quality that could make you cum just from that angle. The low-angle fellatio around the 22-minute mark was also excellent, with the perspective looking up from below enhancing the sense of realism. The scene of Ozawa's nursing handjob leading to ejaculation was so erotic that it took my breath away. In the bright room the next morning, the creampie from the missionary position was vividly depicted, and Maki-san's facesitting attack, along with Ozawa's high-speed fellatio while lying down, and the oral ejaculation while still sucking, were particularly intense. The sex in the sunset-colored room also left an impression, with the creampie from the missionary position blending beautifully with the scenery. Overall, Maki-san's thong-clad ass and fellatio scenes were such intense fap points that I want to repeat them over and over. There are various regrettable points... This is a work where Maki Tomoda's appeal as a mature woman truly radiates from the screen. Her sexiness is absolutely wonderful, and an erotic atmosphere permeates throughout. However, it's also true that a few disappointing points can be seen. The development where she's fiercely attacked by an older man is good, but I would have liked to see more scenes where the actress takes the offensive herself. If there had been a bit more intense cowgirl positions where the woman indulges in pleasure and devours it greedily, the satisfaction level would have been higher. The erotic hip movements in the grinding cowgirl position appear only for a moment, but it's a waste that it ends with just a front-facing angle as if peeking in from outside. That back-and-forth hip motion is the biggest highlight, so shouldn't it have been captured properly from a side angle? Furthermore, there are too few cowgirl scenes in the final sex scene as well. Since the cowgirl position is the most straightforward way to depict a mature woman indulging in pleasure, cutting down on screen time there is a major drawback. While the evening setting itself isn't bad, the lighting is too heavily skewed toward an intense orange, making the glare bothersome. Precisely because this is a series I like, I can't help but feel that each time it's "just one step short"... It's truly a shame.