[JUR-708]

Sweat gushes out, reason blows away—. Body Floating in Midsummer Adulterous Sex with Shrimp-Bend Convulsions from Aphrodisiac. Ayumi Miura

It is said that libido suddenly increases from the 30s, and I am one of those women. My husband doesn't seem to see me as a woman, so my daily routine became sadly pleasuring myself in the living room. One day, my husband's subordinate who suddenly visited demanded me, and while I resisted with words, my body craved him and I couldn't maintain my reason. With each secret meeting, I fell deeper, and both body and mind became addicted to the numbing sex with him.

A classic and simple adultery drama. In the fourth installment of the "Shrimp-Bend Upon Insertion" series, the story depicts Ayumi Miura having an affair with her husband's subordinate. The husband is devoted to his work and has no time for his wife, so Miura spends her days masturbating to relieve her sexual desires. One day, while her husband is away on a business trip, a junior colleague named Kawaguchi visits her, saying he has something to discuss. He says he's troubled about marrying his girlfriend, but then confesses that the reason is that he has fallen in love with Miura. Though surprised, she is caught by Kawaguchi with a large collection of masturbation toys, and without resistance, she accepts his offer to "help" and engages in toy play. When he inserts, she surrenders to the long-missed pleasure. After that, Miura becomes addicted to Kawaguchi's dick and enjoys a fulfilling sex life. But when Kawaguchi reveals that he has proposed to his girlfriend, Miura agrees, saying "That's for the best." Then Kawaguchi stops coming, and she begins to feel restless. However, when Kawaguchi brings her drunk husband home, the two become aroused again and have sex. Ayumi Miura has appeared in many series dramas and played various roles. I would love to see her in roles she hasn't yet played: the wife who is boasted about in "Sex with Wife Three Days a Week," the masochistic squirting role in "The Plain Married Accountant at the Company," the role of letting loose on a trip in "Creampie Hot Spring Encounter," and the role of meeting a perfectly compatible dick in "30-Year-Old Virgin Younger Brother-in-Law" — her being swept away by younger men. This series, true to its title, had drama parts related to shrimp in the first two installments, but from the third installment onward, that was dropped and the development changed. In Madonna works, dramas where the flow from dialogue to sex is exactly the same are mainstream, but this series, even at its fourth installment, changes the drama part each time, making it a compelling adultery drama. The way she shrimp-bends and moans upon insertion, the skillful filming that clearly shows the point of connection — it's a masterpiece. If they shoot with actresses like Ririko Kinoshita or Ayano Kato in their 40s, Nami Okimiya or Meguri in their mid-30s, or Iyo Shinohara or Yuuka Niizuma in their early 30s, and speed up the release pace, it could become a representative work of Madonna's director U-Kichi. I strongly hope the series continues. The indirect impregnation-type script is high level. The casting of the husband role has poor balance with the around-forty actress, and the male actor lacks the dignity expected of a boss, so the initial impression is mixed. However, the script is quite rich, with the hidden resentment of a married woman who idealizes a life with children but cannot achieve it seeping through the edges of the conversation. The fact that all sex scenes are unified with creampie is also highly commendable, as it aligns well with the script's direction, unlike the Fuji Kanna version, which had a pregnancy ending but wavered with external ejaculation in the middle and oral ejaculation at the end. In the first sex scene, the male actor's performance felt somewhat bland for a man inseminating a woman he loves for the first time. However, in the shrimp-bend creampie in the middle, the feeling of seeding as if pouring into the womb is well expressed and good. In the latter half, the doggy-style creampie also has a strong insemination feel, and the final scene, with ample time devoted to the actress's convulsing fertilization orgasm, is very satisfying. Given the flow of the sex scenes, I thought it would end with a pregnancy twist like the Fuji Kanna version, but the twist where the lover (likely a young fiancée) gets pregnant first is novel. The script, which lets jealousy seep through every word and ends with the around-forty woman's frightening demand to impregnate the lover in front of the husbands, is bold and very good. The fine detail of the young couple not wearing rings while engaged but putting them on after marriage shows careful direction, and I could feel the production team's dedication. Overall, 5 stars. The entire video is full of highlights. Ayumi Miura's shrimp-bend while screaming is truly shocking, and its intensity makes me unable to stop thrusting. In the living room, after being thoroughly attacked with toys, from behind, he shifts her thong aside and inserts raw, then creampies her directly. From here, intense sex starts as if ignited, and narration without ejaculation plays. Next, fellatio and facial in the Japanese-style room; this is also splendid. On the bed, in reverse cowgirl position, a intense creampie while shrimp-bending, and also in missionary position, a creampie while shrimp-bending. The subsequent cleanup fellatio also arouses excitement. In the final chapter as well, similarly, a creampie from M-leg open cowgirl position, and a shrimp-bend creampie from missionary position are recorded, full of highlights. Even outside the ejaculation scenes, I am repeatedly aroused by Ayumi Miura's fellatio and beautiful buttocks. It's really exciting. This is definitely a keeper, and I strongly recommend it.