[NSFS-480]

New Repayment 23 ～In order to be forgiven, the wife offered her body～ Ayaka Tomoda

Ayaka's husband left the company to start his own new company. However, that company quickly failed. One day, Ayaka coincidentally meets a man who was her husband's subordinate. From that man, she learns that her husband ruined his life... Ayaka is shocked by this fact and begins to doubt her husband's actions.

How to Deal with Stagnation This series has finally reached its 23rd installment. Including the "Repayment" series, the total number of works becomes even larger, and this is a work that constantly questions how to deal with the stagnation that comes with a long-running series. In the midst of this, I feel that this installment features Ayaka Tomoda as the heroine, whose impressively white and beautiful skin stands out, and the process of gradually opening her heart and body through Ozawa's skillful and careful foreplay, leading to her downfall, is depicted with great care. In particular, Ozawa's presence is remarkable, and his acting and sense of timing greatly elevate the overall quality of the work. However, I am honestly curious about how much longer this series will continue. Ayaka Tomoda sometimes looks like Hibiki Otsuki... There are several patterns in the "Repayment" series, but this work follows a storyline where the heroine's husband, as a result of getting involved in a business he started, "repays" a person whose life was ruined. However, compared to the traffic accident pattern caused by the husband or the heroine herself, the necessity for "repayment" is weak, and the heroine's hypocrisy and deception come to the forefront, so personally I don't really like it. In terms of prioritizing one's own feelings and forcing "repayment" onto the other person, both patterns might be equally guilty, though... As a personal preference, one of the actresses I can't get "in the mood" for, whether cute or beautiful, is the heroine of this work, Ayaka Tomoda. Of course, I don't have a bad impression of her, but she doesn't suit my tastes, or how should I put it... Since the "Repayment" series isn't affected by the lineup of actresses, I was hoping this might be a fortunate encounter. The person Tomoda repays is Toru Ozawa, with whom she co-stars for the first time in a while. The "repayment" begins from the customary development where "lack of resolve" is exposed and it ends in failure. Can't they think of a different development, or is this a scene they absolutely want to depict...? Having avoided a crisis of chastity, it would be fine to stop there, but perhaps unable to admit to her own smallness, she goes so far as to burden Ozawa with sin as well. With her hands on the bed of her unconscious wife, Tomoda is molested from behind by Ozawa. Despite being urged by Ozawa to go home multiple times, and staying of her own will, the line "Let's stop!" doesn't come out. When she receives a kiss like a "married secretary" from Ozawa, her body, if not her heart, becomes fully receptive. When Ozawa scolds her for the obscene "sound," she apologizes with "I'm sorry," but truly so. She came to repay, didn't she? After being dragged into the bedroom, Tomoda is moaning and climaxing endlessly. How many times did she come before insertion? It might be rare for a "repayer" to feel this much from first contact. I think the real highlight is the second and subsequent times when bodies have grown accustomed, but after receiving semen through fellatio, it suddenly jumps to the customary final farewell scene. Even if simulated or short, I wanted one more sex scene. There were also moments where I wondered, "Is that line really okay?" Stealing Tomoda's heart and body, getting her pregnant, and then "revenge" is a bit... That's not "kindness" to let the husband know the truth, is it, Mr. Ozawa? Ayaka Tomoda's eyes filled with melancholy suit the theme. The best work of the series, perhaps? When I first watched "Taken in Front of Her Husband," I was strongly attracted to Ayaka Tomoda, but when I later searched for her other works, they were all of a different image—flashy and aggressive older sister types—so in the end I could only watch that one. However, after watching this work, I rediscovered her charm and felt she is a wonderful actress. She is in her late 30s, but she has the atmosphere of a woman from an earlier generation—specifically, the type I often encountered at part-time jobs when I was a student during the bubble era: a bit flashy, who played around when young but becomes a caring wife after marriage. Her makeup is somewhat heavy, but there is something about her that reminds me of a nurturing wife, exactly that kind of woman. In fact, she not only encourages her mentally weak husband in various ways, but when she visits the unconscious Mr. Ozawa's house for the second time, she already cares for his body and acts like a nurturing wife. As a wife, she accepts sex as a matter of course, and she ends up acting as a wife to every man she wants to help—I feel this is her tragedy. What is particularly impressive is Ayaka Tomoda's eyes. The corners of her eyes are slightly drooping and gentle, giving her a gaze that suits a victim role perfectly. Those eyes have a sensual quality, ideal for a heroine who is violated by the person she is repaying and suffers. Also, the veins visible on her breasts, which show a bit of age, add realism and charm. I used to think that the erotic source of the "Repayment" series was that the heroine remains mentally faithful to her husband until the end, and that this was a shackle. However, in this work, the heroine is depicted acting as a wife to two men, leading to an inevitable breakup. The scene in the first sex where she can't support herself in the cowgirl position, and the scene in the last sex where the bed is soaked wet from either incontinence or love juices, show that the two are now in a relationship that cannot be separated. Mr. Ozawa's line "I'll come again" is also excellent, leaving a lingering aftertaste. The only flaw is that the ending tries to pack in too many elements, and I feel the pregnancy story is unnecessary. I wish it had ended with a scene of the heroine and Mr. Ozawa living quietly together, like in Sōseki's "The Gate." Among the "Repayment" series, I think this is the best work I have seen. Not completely fallen. This is the first time I have carefully watched a solo work by Ayaka Tomoda. In terms of age, she is in the middle ranks, but her career as an actress has already reached the level of a veteran. Now approaching her late 30s, she has taken on a feminine allure and gives the impression of having grown into an even more attractive actress. Now, regarding the story of this work: in the conventional Nagae STYLE, the standard development was that the heroine would show emotional wavering from the middle onward, and after a conflict between reason and sexual desire, she would succumb to lust. However, this work is finished with a different nuance: the heroine's heart does not fall to the other man, but she only allows her body. Ayaka Tomoda plays the role of the wife in the perpetrator couple, and the emphasis is on sex for the sake of "repayment." There is no depiction of her indulging in sexual desire and betraying her husband until the end. In a sense, this might be the story most faithful to the title among the "Repayment" series so far. However, personally, I wanted to see Ayaka Tomoda indulging in sexual desire and completely falling, so in that respect it was different from my expectations and I was let down. Precisely because her acting ability and presence are wonderful, as someone who wanted a development that went one step further, I feel a bit unsatisfied. Therefore, I gave a strict rating of 3 stars.