[NSFS-482]
Training: Dutiful Wife Awakens to True Pleasure Through Her Older Brother-in-Law's Training! Kiyoka Igarashi

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Item Details

Product Code
NSFS-482
FANZA
nsfs00482
Release Date
2026-05-23

Description

Kiyoka, a wife supporting her meticulous husband Takaya, had always thought his behavior was natural. However, one day, her uninhibited older brother-in-law suddenly visits their home. How will Kiyoka react to her brother-in-law, who has a completely opposite personality?

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Reviews

Average: 4.5 / Total: 2 reviews
It's been a while since a work that suits my taste. Drama-heavy works inevitably receive widely varying evaluations depending on the viewer, but this Nagae work was a big hit after a long time. In particular, the actress's acting skills were outstanding—the expressions and vocal tremors in the scenes where she climaxed multiple times were extremely realistic and fit perfectly into the world of the work. If I had to ask for more, depicting a bit more inner conflict and emotional fluctuation between the sex scenes might have added further depth. Still, it's rare to encounter a work of this quality, so I was genuinely excited for the first time in a while. The fact that it concluded in a near-happy ending also left a high sense of satisfaction after watching, which was great. Celebration of the revival of "NGR"...? Or outrage at the rehash...? That is... even if I try to recall, my memory becomes hazy (lol)! The Madonna 'NGR' series, which disappeared (?) after Ayana Ueba's work three years ago, has actually been revived! It's deeply moving that director Nagae would restart this series under his own production. Come to think of it, the first installment starring Kana Mito was also directed by him... With Kiyoka Igarashi playing a pure and serious wife role, expectations are high! The development where the suddenly appearing older brother-in-law sees through the gaps and unfulfilled parts of Kiyoka's heart. Is this the intuition of a playboy, or is it convenient storytelling...? Kiyoka has her nerves frayed by the tactless older brother-in-law, but perhaps due to her serious personality, she might have sensed something somewhere. It was also impressive that the older brother-in-law's gaze seemed somehow dazzling. The scene of the older brother-in-law's guidance in the bedroom. It's exquisite that it's not too forceful! The older brother-in-law's playboy-like logic skillfully blocks Kiyoka's escape routes. Kiyoka refuses with "Please let go!" but she cannot push him away, rather she seems unable to do so. The famous line "Let yourself be swept away by me!" explodes! The words "If you don't like it, Kiyoka, we can stop midway!" is a high-level tactic that leaves an escape route for Kiyoka, not a complete annihilation battle. Although her body is not relaxed, even when the older brother-in-law touches her breasts, sucks her nipples, and extends his fingers to her lower abdomen, Kiyoka only lets out cute moans. To the older brother-in-law's question "Should I stop...?", she neither affirms nor denies, but asks "I'm not the one at fault, right...?" In response, the older brother-in-law secures her escape route again by saying "The one at fault is me!" Even though it finished in rear entry, Kiyoka falls on her back in a daze. Kiyoka catches sight of the older brother-in-law's still erect member after ejaculation and is surprised, "You can still do it...?" A mop-up operation to win over Kiyoka's body and heart simultaneously has begun! Even while receiving afterplay, the hardness of Kiyoka's nipples does not subside. However, was the multiple partner play like the NGR series really necessary? Was it to avoid monotony, or to give a clear indicator of Kiyoka's descent...? Although she once refused the older brother-in-law's invitation over the phone with "I won't go!", Kiyoka's tsundere behavior of visiting right after is adorable! After masturbation, was she called out with "You were doing it...?" and thus became tsun, Kiyoka? Following Yuika Onosaka's "Atonement", there is also a scene of washing the crotch in the bathroom. Director, you really like that, don't you...?

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