[ATID-677]

"The condom broke, so take responsibility!" From the day I fucked a coworker while drunk, it was supposed to be a one-night mistake, but somehow she became my girlfriend... Waka Misono

Kazumi and I are colleagues, and each of us has a partner. However, one night, drunk, we ended up in a hotel. I saw Kazumi's defenseless sleeping face, something I would never see at work. Fueled by alcohol, we ended up having sex over and over again until morning, following our instincts. "Hey, the condom broke..." "What!?" I don't know how many times I had ejaculated. At Kazumi's voice, I felt the blood drain from my face. But I told myself that I had cum many times and the sperm must be diluted, so it would be fine. We went to work as if nothing had happened. It should have been business as usual. But then Kazumi said to me, "Hey, take responsibility, okay?" And so, what was supposed to be a one-night stand turned into us dating, and after that, we repeated the cheating sex over and over again.

Hardworking OL "Kazumi Hanazono" in Love This work released from the Attackers in mad label is a noteworthy piece directed by Kitorune Kawaguchi, featuring a co-starring performance by Waka Misono and Yuta Aoi. It begins with a scene where a coworker, Ms. Hanazono, pressures him with "Take responsibility!"—the intensity of her approach is extraordinary, gripping enough to make the viewer catch their breath. Her relentless single-mindedness makes you suspect she had been aiming for this outcome from the very start, and the subtle portrayal of her deep psychology is finely drawn. In particular, Waka Misono exudes ample sex appeal while brilliantly embodying the almost insane charm lurking within Ms. Hanazono's inner self. The sharpness of her gaze and the nuanced shifts in her expression are superb, reaffirming her high level of acting skill. Her interplay with Yuta Aoi feels natural, with tension and realism blending in perfect harmony. This is undoubtedly a recommended work, so be sure to experience its impact in the main feature. "Take Responsibility" is Summer Horror This is an arrangement based on HHH's "When I Woke Up, There Was a Female Coworker in Lingerie in My Room!", but in the hands of Kitorune Kawaguchi, it doesn't end up as a mere rehash—the script has been boldly revised, which stands out. In the original, the woman already harbors feelings for the man, but in this work, while those around them describe them as "like a married couple who fight so much they must be close," the two themselves have no romantic feelings, and their first sexual encounter is driven by alcohol and the man's forceful approach. The balance between the actress and actor, who naturally perform sex between friends, is exquisite, creating a sense of realism. Meanwhile, the woman is parasitically attached to a leech-like bandman and her personal life is at a dead end, burdened with the risk of pregnancy. The man, facing marriage with his girlfriend, tries to have her get a pill abortion at the hospital and run away, which causes their relationship to sour. Rather than genuinely falling for the man after the creampie, the woman's resentment—unable to accept that only she is unhappy—drives her to corner the man in order to balance the scales of "happiness." Waka Misono portrays this with a horror akin to Yotsuya Kaidan, both erotic and frightening. The fact that she drinks alcohol and continues having creampie sex even while pregnant exudes the crazy narcissism of a woman who doesn't truly want a child, and the development where she confronts the man with her pregnancy at his wedding, delivering the final blow of NTR, also overlaps with Yotsuya Kaidan, where the man is killed on his wedding day. The plot of a woman trying to change her life by creating "established facts"—a rather Showa-era value system revived in Reiwa—is on the same axis as the same director's "A Female College Student in Job-Hunting Limbo Is Repeatedly Given Impregnation Guidance by the Harassing HR Manager and Degrades Into a Personal Maid... Miyu Aizawa," which was a parody of the employment ice age. This kind of "overly decadent" direction seems promising for the future. The selection of extras, who feel reused as girlfriend roles, is a bit questionable, and it's a difficult line to want to see serialized, but I'd also like to see a different type of actress take on a stronger horror element. This was an exciting work featuring Waka-chan's long-awaited sweet sadistic style. Waka Misono's latest work, while the situation is something I've seen from other makers, as expected of Waka-chan. Her aggressive stance is overwhelmingly powerful, with a severity that's on a completely different level. The way she shows her sensitive reactions and her passionate tongue kissing are truly wonderful, making my heart race even through the screen. Waka-chan's charm overflows so much that I've decided to live my life devoted only to her. I want to be with Waka-chan even more, and I'm genuinely envious of the male actor co-starring with her. I'm definitely looking forward to her next work! A molester woman after a long time? Recently I haven't been able to encounter many good works, but with this work I was able to enjoy a charming molester and a solid pounding cowgirl position for the first time in a while, and I am very satisfied. In particular, the movements of the cowgirl position were carefully depicted, and it was worth watching.