[MIDA-655]

This is a story about how I offered my girlfriend to my best friend, who was in a love triangle with us, for just one day, only to have her stolen from me both body and soul. Nana Yagi

I ended up lending my precious girlfriend Nana to my best friend for just one day. On that day, casual date photos were sent to my phone, and for a moment I felt relieved, thinking "Thank goodness..." but then came photos of him hugging her from behind, and the two of them cuddling at home, sent one after another. Yet somehow, the closer they got, the more excited I became. Nana actively seeking out that guy's dick and sucking it, a sex video as if showing off with a completely melted, bitchy expression... Even though she never had sex with me, she was this lewd. The more I see her lewd behavior, the more my erection won't stop—depressed masturbation NTR. Viewers will relive the protagonist's inner conflict between jealousy and excitement as they witness his girlfriend being held by his best friend.

A Highly Accomplished Depressive Erection Work This is a so-called "depressive erection" type NTR work that also depicts the perspective of the cuckolded side. As punishment for breaking the promise "not to date each other" made among three childhood friends, the protagonist lends Nana to his "best friend" for just one day. Even though he hadn't made a move on her himself yet, photos of the friend fondling Nana's body one after another arrive, and eventually a video of intercourse is sent as well. At first, Nana reluctantly complies with the friend's demands, but during the sex scene, the screen goes dark. A cut showing only a clock, a specialty of director Sapporo Taro, is inserted, and the time is already past eight in the evening. When the screen brightens again, Nana appears wearing only a men's hoodie, and a shocking sequence follows that clearly shows the situation has completely changed. The moment of "change of heart," the biggest highlight of NTR works, is clearly presented to the protagonist through actions, shaking my heart while also intensely arousing me. I can only admire the friend's cunning, who gradually steals Nana's heart by piling up small markings that flaunt his victory of conquest, such as taking a photo with a used condom placed on her naked body. And above all, I was completely done in by Nana's cuteness and the beauty of her limbs, which left me no choice but to jerk off. I wanted a bit more story with a clear sense of contrast. Nana Yagi's high level of acting skill and the cleverness of her play presentation stood out even in this work. Particularly in the final scene, she showed realistic expressions that felt like genuine orgasm, fully displaying the richness of her expressiveness. On the other hand, the story development lacked contrast, and overall I felt the impact was weak. While I could sense the intention to pursue dramatic elements, that attempt did not come to completion by the end, leaving a sense of a half-baked finish. The buildup of the narrative and the resolution of foreshadowing were insufficient, and I regret that it could have been more appealing if the structure had been refined a bit more. Nana Yagi and Yuzu Yuki are the best combination. The combination of Nana Yagi and Yuzu Yuki can truly be called a golden pairing. Both actresses have impeccable acting skills, and their intimate scenes are very natural, drawing you deeply into the world of the work. Their chemistry is outstanding, making both the story development and the intimate scenes highly engaging. In this work, the process of the heroine reluctantly starting an act and gradually descending into pleasure is carefully depicted. While initially showing reluctance, she slowly becomes unable to resist pleasure, and the flow until she completely falls can be thoroughly enjoyed—a wonderful piece. Lately, isn't Nana Yagi only doing "easy" work? Lately, the works have been full of young, handsome male performers, and I feel a bit unsatisfied. I want to see more interactions with older, sleazy, vulgar old men (like Yoshimura, Tabuchi, Sagawa, Oki, etc.). With that kind of partner, you can draw out the actress's genuine expressions of reluctance and tension, making it more realistic and exciting. When it's just young male performers, the actresses seem to be taking it easy, and the works lack impact.