[MIDA-614]

A plain-looking big-breasted ghost with a reason haunts my house... when I teased her with breast groping and sexual harassment, she transforms every night into a sex-crazed slut who straddles me on her own, grinds her hips, and begs for creampie! Mitsuki Momota

I moved into a cheap, spacious "stigmatized property," and despite the landlord's concerns, I was living peacefully. However, one day, a female ghost started appearing. Her body was surprisingly beautiful, and especially her boobs were big and attractive. Out of curiosity, when I groped her boobs, the ghost didn't resist, and instead showed a reaction as if she enjoyed it. After that, the ghost appeared frequently, pressing her boobs against me, and eventually even demanded creampie sex. Because she was a ghost, I ended up spending my days with unlimited groping, unlimited fucking, and unlimited creampies. But one day, she suddenly said, "Thank you. I'm satisfied, so I'll disappear," and vanished. Hearing those words, I realized there was a huge secret between me and the ghost. Erotic and tear-jerking, the "Big Boobs Ghost" depicting such a mysterious event is a work that shakes the viewer's heart.

Mitsuki's erotic figure is stunning. Mitsuki Momota, playing a ghost role with glasses, is incredibly cute. Above all, her presence is overwhelming. In the early part, she is mostly silent, starting with scenes where she gives fellatio to the male resident (Otani) and lets him grope her big breasts. The development shifts to an M-leg spread position where she has him insert his fingers, then she inserts his penis herself and attacks in cowgirl position. Her line "It feels good!" instantly raises the viewer's excitement. In response to the man's words "I can cum inside freely!", a creampie is performed. Their lighthearted conversation—"I came inside!" "It's okay! Since I'm a ghost, you can cum inside freely!"—is truly amusing, with eroticism and humor perfectly blended. After that, Momota performs a cleanup blowjob, and Otani attacks in missionary position, leading to another creampie. Her line "Give me more creampies!" further stirs the viewer's excitement, drawing you in irresistibly. Otani repeatedly changes positions—doggy, prone bone, missionary—and continues with creampies. In the flow, when Momota takes off her glasses, her facial features are astonishingly beautiful, making you stare. Her orgasm style is also very stimulating, creating an overwhelming sense of immersion. The titty fuck using her big breasts is a spectacular sight, and their play in the shower room fills the entire field of vision. Every time Momota says "It feels good!", the viewer's excitement heightens further. The "breast bounce" captured from a low angle is an absolutely stunning view, and the sex that follows penetrates deeply. The ejaculation scene from Momota's fellatio also greatly stirs the viewer's excitement. Momota's erotic portrayal, perfectly playing the role of a ghost, makes this a truly masterpiece of a work. I cry at the final scene where she attains Buddhahood. Despite being set as a ghost, this work doesn't feel scary at all; rather, its adorableness stands out. The play content is varied: the first sex immediately features a creampie, then a no-hand blowjob in the bathroom leading to a facial, followed by a standing creampie. It concludes with a cowgirl creampie and a facial from the missionary position. In the morning farewell scene, the protagonist wishes, "Don't pass on," but Mitsuki-san replies with a smile, "I'm a ghost, so I will pass on. Bye-bye," and disappears. Her innocent cuteness unexpectedly tightens your chest, and a tear spills out—the bittersweet yet warm ending is impressive. Thump.. Watching the ending development, I clearly felt that the direction was conscious of "Angel Beats!". While watching, that work suddenly came to mind and I couldn't help but laugh.