[JUFE-619]
The Perverted Teacher's Egoism Toying with Adolescent Bodies Nakamori Kokona

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Item Details

Description

On a weekday afternoon, a uniformed schoolgirl, Meru, sits alone on a park bench. She dreams of entering the entertainment world but failed her auditions, was scolded by her parents, and is torn between her dreams and reality. An old man who appears to be a "respectable former teacher" approaches her. He seems like a kind adult willing to listen to her troubles. However, the old man's "justice" gradually becomes twisted. "I need to teach you with my body!" He exploits the weakness of an innocent girl. This is neither education nor love—it's pure desire.

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Reviews

Average: 4.7 / Total: 3 reviews
Lewd Extracurricular Lesson This work is characterized by its realistic, hidden-camera-style direction. A beautiful girl crying on a park bench is approached by "Ozawa Toru." She, "Nakamori Kokona," confides that while she's signed with a talent agency, she keeps failing auditions. Ozawa emphasizes that he's a "former teacher," sympathizing by saying he too felt inadequate when his students struggled, gradually easing her wariness. His natural invitation, "I have a place nearby, it's cold, so why don't we talk inside?" is quite clever. Once he brings her home, he has her sit in a Japanese-style room and gives her cocoa laced with an aphrodisiac. This is where the real action begins. When the girl tries to leave, saying "It's time for me to go," Ozawa insists, "I went to the trouble of making you warm cocoa, so don't you think you should give me something in return?" He presses her, saying "I already said thank you" and "That didn't sound sincere," blocking her escape route. Grabbing her shoulders, he says, "Kindness is just empty if I don't get something back," and while saying "Let me teach you properly, teacher," he gropes her breasts and steals a kiss. This series of psychological pressure gives the work a tense atmosphere. After that, it progresses from pushing her down on the low table to sucking her nipples, crotch, and fingers, to fingering her on the tatami mat, and then to immediately licking and fingering her shaved pussy in an M-leg spread position on the table. The process of gradually placing her under his control, including guiding her hand to his crotch, is meticulously depicted. After making her give a quick blowjob, he attacks her with a variety of positions: doggy style on the tatami, a back position while she holds onto the table, and then missionary and bent-leg positions for a creampie. Moving to the Western-style room, the scene where he makes her sit naked on a chair, puts handcuffs on her, hangs her from the door frame, and uses a vibrator on her nipples, nape, and clitoris until she loses control and pees is quite hardcore. The depiction of her sucking a vibrator while he fucks her vagina with it also conveys the thrill of restraint play. Furthermore, in an oil massage-style play on a treatment table while she wears a sheer leotard, he continues fingering and using his fingers on her after applying oil to her breasts, thighs, and buttocks. A highlight is when the unhinged Nakamori becomes active, sucking his nipples and penis, giving a titjob and nipple-job, and then licking his anus and penis before taking a throat shot, creating a role-reversal dynamic. In the Japanese-style room on the futon, with her dressed in an open bra and shorts, they engage in a dense, almost conclusive sexual encounter involving spit-swapping kisses, nipple sucking, handjobs, facesitting, cunnilingus, 69, reverse cowgirl, doggy style, missionary, and spooning, ending with a vaginal ejaculation. To the question, "So, how was teacher's lesson?" Nakamori replies, "Amazing... I feel, like, weird..." Ozawa strokes her skin, saying, "That's fine. I feel like your body has become beautiful too," and then advises, "Humans have to put their desires out there, to push past others, right?" "You have to get desperate," before locking tongues. This final scene leaves a unique lingering impression, suggesting not just rape but a certain aspect of "education." Nakamori Kokona's appeal Her smile is truly captivating, and it's a shame it can only be seen in videos. That smile shines so brightly in the work that if a DVD of "debz020" were released, I'd want to get it without hesitation. Also, she looks astonishingly fitting as a high school girl, and the scenes where she happily spends time with friends in the classroom are especially radiant. While fully enjoying that smile, it would be perfect if there were developments in a secret place like a gym storage room. Ideally, I'd like to see it from a subjective perspective. If that's difficult, I'd want the male actor to be an older, composed adult. Flirting with a young male actor always feels out of place and dampens my interest. After all, I feel that the combination of the high school girl setting and Nakamori Kokona's smile is the greatest appeal of this work. The actress is well-cast, and the dramatic quality has also improved. Although the director's name is not credited, this is undoubtedly the best installment in the series so far. The basic premise remains the same—Ozawa picks up a high school girl standing in a park on a weekday afternoon—but the camera work, the composition of the sex scenes, and even the dramatic element where the former teacher imparts life lessons to a high school girl aspiring to be an actress are all meticulously crafted down to the smallest details. Nakamori Kokona, despite her official age of 22, fits the role of a high school girl better than anyone else in the series, with no sense of incongruity at all. Her trusting, friendly personality that lets down her guard and follows the self-proclaimed former teacher Ozawa to his home, as well as her acting in the dramatic parts, is by no means bad. Ozawa's teaching, where he describes forcibly raping a high school girl who refuses and tries to escape during her first real sex scene as "the spirit of not giving up," is quite interesting, and the development where he insists that impregnating her through forceful creampie is "necessary life experience for an actress," leaving the high school girl speechless, was refreshing. However, during the bare dick insertion scene, I would have liked to see a sense of "this is my first time" different from sex with a boyfriend using a condom, which is typical for high school girl-themed works, but expecting that from a newcomer in her first year of debut might be a high hurdle. The sex in the latter half, with the ending where she completely falls for the old man and allows the creampie, is better than before, and the sense that a loving master-disciple relationship has been established to the point where she might just start dating the geezer gives the storyline a clear thread and a high level of completion. However, the middle part is somewhat weak, including the actress's reactions, and overall, I wish the concept of lessons to fulfill the dream of becoming an actress had been made more understandable. It's not perfect, but as a work from a new actress, it's quite good, and I hope they continue on this path rather than the previous two installments.

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