The greatest NTR in history. I never expected that the unique style of torment found in NH works would pierce my heart so deeply. In the male actor's performance, self-indulgent play by men alone often stands out, and even in verbal abuse, there's a tendency to think that simply speaking strongly is enough. Even if the lines themselves are correct, they don't match the appearance or voice, and I sometimes feel like I'm forced to listen to lines that don't resonate at all, endlessly.
Miss Marina is excellent at articulating changes in emotion very skillfully. The technique of bringing up the fiancé's name at appropriate times and making comparisons is also superb. The beautiful and powerful body lines unique to NH, and the complete absence of any masculine smell, are also major attractions. In many cases, a woman would quickly remove the strap-on and switch to tribadism, which I find unconvincing, but in this work, there's no such discomfort.
Miss Hinako is also wonderful as the receiver. Even when a huge dick is thrust deep into her throat, her face doesn't break, and she endures it—that's also good. Her writhing from spanking, sensitive reactions to nipple torment, and her apparent arousal from choking are all worth watching. I also wanted to see scenes of pulling on the collar or hair, but if they had chosen the usual office as the training setting, had her remove the ring, or had her place it on the ex-fiancé's desk and made Miss Hinako utter lines of farewell, it would have been even more perfect.
If I had to point out a regret, it would be the scene where he puts on a condom and plays with her. Creampie works improve the precision of the mosaic, and if they ever shift to uncensored in the future, the charm as fantasy would be lost.
But still, Marina Ikeda, a rare NH actress, in this work that emphasizes masculinity, and Miss Hinako Seto who received it. I want to give these two a heartfelt round of applause.