[IPZZ-840]

Public Raw Training: The Whole Story of a Beautiful Female Announcer Falling into Orgasm to the Sexual Harasser Host's Crazy Power and Filthy Big Dick - Wakana Sakura

I'm Wakana Sakura. As a second-year rookie announcer, I was chosen to be in charge of a program hosted by the famous MC Yoshimura. However, in the industry, it's rumored that his sexual harassment is extreme, and it's said that hundreds of female announcers have been slept with. I wondered if his problematic behavior was being covered up by his power. During location shoots, he pointed out my underarm sweat, then groped my butt in a blind spot, and during food reports, he made me eat in a lewd way. Furthermore, when I was made to cum via a remote vibrator during a live broadcast and wet myself, I realized something. Could it be that I'm actually a masochist, getting excited in this environment? Yoshimura saw through everything. That's enough for the pre-show talk. Well, I guess I'll go get pampered in Taku-san's dressing room again today.

Watching it gives me a thrill! A girl this charming being used however a middle-aged man wants is truly exciting. Once you see it, you'll understand its value, and it's a work you'll want to watch over and over again. This is a Wakana Sakura work. Wakana-chan is unmatched when it comes to playing M-women or roles with a dark shadow. With her refined features, her appearance as she is violated and toyed with by men truly shines. The sight of an old man meticulously licking and training Wakana-chan's beautiful body is thoroughly captivating. The play is too mild. The play content of this work feels overall unsatisfying. There are limits to relying solely on setting and story gimmicks, and it will be difficult to sustain viewer interest if it depends only on the cuteness of the face. Although it seems to incorporate SM elements, the seriousness is not felt, and it ends up being superficial. With this, raising the evaluation is difficult. It should shift to more authentic and intense content, referencing specific plays like the following. First, as seen in sample image 11 of Minami Aizawa's work "Obeying Trainee Incontinence Maid: If It's Master's Wish, Minami Will Become a Pet," I want them to incorporate an SM-arranged version of the play where a very long and thick dildo fixed to the floor is inserted into the vagina in a cowgirl position, with the woman vigorously moving her hips up and down until she cums, and after an internal orgasm, she releases a large amount of urine. I think it suits her atmosphere. Next, the act of thrusting vigorously from above in an upside-down posture with the head down, as done in Rin Otonashi's work "Any Order Fully Consented: Despite High-Class Appearance, Training a Masochistic CA Until Bored and Fucked," is also effective. Furthermore, a development where she is mercilessly tormented in the positions shown in sample images 8 and 9 of Rie Miyagi's "Bondage Unleashed! Binding the White Soft Skin of a Young Lady" should also be added. Also, as in Mei Miyajima's "Made to Cum So Much with Piston Vibrator That She Squirts a Lot: 'I'm Already Cumming, Aaah' - Super Follow-Up Piston That Pumps Deep into the Vagina Even Right After Orgasm," a composition that spends most of the work time on intense piston action with a piston vibrator or male genitalia is worth referencing. In addition, please consider plays such as: clipping two clamps connected by a rubber band onto the labia to spread the vaginal opening, then pistoning with a drill vibrator thicker than the one used this time; dripping candle wax onto that area; and stimulating her nipples so intensely that her small areolas swell (using gear rollers or needles, with consent obtained). Truly a Waste Even though they have assembled actresses of such high quality, I can't help but feel it's such a waste that the production side is completely failing to bring out their charm. Lately, the works have all been in a safe zone—what you might call "neither poison nor medicine"—with weak stimulation and nothing memorable, as if they're targeting the middle-aged and elderly. Furthermore, the release intervals for new titles have become oddly stretched out, giving the impression they're holding back. Despite the actresses having been around for a considerable time since their debuts, I find it hard to understand why they aren't being given more diverse scenarios or challenging themes. It's truly a case of casting pearls before swine. To reiterate, the actresses' skills and appeal are genuinely outstanding. That's precisely why I have high expectations for future developments.