[MFYD-136]

While on a hot spring trip with my girlfriend, I was fiercely tempted by her older sister (a married woman)'s breasts. Reina Dan

TAMEIKE exclusive Reina Dan is an all-POV work where you can monopolize her G-cup bouncing breasts. I came to a hot spring trip alone with my Mana-chan, but Reina-san (a married woman) tagged along. I can't take my eyes off Reina-san's breasts as she complains that her husband doesn't pay attention to her. Mana-chan has small breasts, so it's even more striking. In the room, in the bath, stealing glances from her, I'm tempted everywhere by Reina-san's breasts. I'm knocked out by Reina-san's breasts filling the entire screen.

Exuding an indescribable sexiness This work is depicted from a first-person perspective, and the viewpoint of the protagonist traveling with his girlfriend he met in college to Naraijuku enhances the sense of immersion. During the trip, his girlfriend's older sister, Reina Dan, who says she had a fight with her husband, also joins, and the story quickly takes a thrilling turn. As soon as they arrive at the inn, Reina takes the protagonist's arm and presses her breasts against him, saying, "It's a waste to keep you as my little sister's boyfriend," starting her aggressive seduction. In the guest room, when he is asked for a kiss by his girlfriend, Reina's deliberate cough interrupts, creating an impressive sense of timing. While his girlfriend goes to the front desk to reserve a private bath, Reina tells him the reason for the fight. She confesses her loneliness over having to work on a holiday she was looking forward to, and once their hands are placed together, the distance between them quickly closes. The flow of having his body groped, his lips stolen, his hand guided to her breasts, and her nipples pinched is a perfect blend of forbidden thrill and sensuality. After that, a variety of plays continue: nipple sucking and handjob while in a lap pillow, immediate blowjob and titjob with ejaculation between her breasts, revival after licking clean, fingering, cowgirl and reverse cowgirl, missionary with ejaculation on her chest and cleanup blowjob. It's also realistic when soaking in the men's bath with a gazebo-style roof, hearing the sisters' playful voices from the women's bath. The scene where Reina, pretending to have left first, enters the men's bath while raising her index finger and saying, "Shh, be quiet," is full of excitement. From close contact in the tub to periscope blowjob, nipple handjob, titjob with ejaculation between her breasts, and further missionary on the rocks, cowgirl at the washing area, and back with ejaculation on her chest, the unique bathhouse situations are utilized. Walking in the courtyard with Reina in a yukata and haori, the boldness of exposing her breasts for a photo during a rain shower is also notable. After the younger sister goes ahead, the scene where the married woman massages her own breasts while giving a handjob, leading to ejaculation, and then licking the semen from her palm, highlights the older sister's lewdness. After a lavish dinner in the guest room, the girlfriend, annoyed that her trip was ruined by her sister, gets drunk and passes out, and next to her, Reina and the protagonist intertwine tongues in a forbidden act. The flow of being pushed down, having her face straddled, being teased with a masturbation pose, and then face-sitting and throat ejaculation from sucking, strongly conveys the older sister's dominance. In oil play, they caress each other's genitals, and a dense night is depicted with 69, cowgirl, front sitting, doggy style, missionary with ejaculation on her tongue, and cleanup blowjob. The next morning, the girlfriend warns, "Next time, definitely don't come along," while Reina whispers, "Instead, let's travel together again when my husband is away on business," leaving a lingering expectation for a sequel. Throughout the entire work, the tension of the love triangle woven by the older sister's aggressive seduction and the younger sister's presence is appealing, and the realism unique to first-person perspective enhances the immersion in the acts.