Her Boundary Line This time as well, I started watching with peace of mind because the familiar male actor exudes presence even through the mosaic, but I was completely betrayed by an unexpected lesbian development. From the beginning, there are so many kisses and hugs, and it feels like my heart is being worn down. It's questionable whether it can even be called sex, as the time just continues with them clinging to each other, and there's no room to break into their mutual search for emotional comfort. If even a lesbian work feels this way, how did all you men endure it? There's a lesbian here who worries about you.
In other works, I also get jealous of the flirting, but this work is incomparable. In other works, while they flirt, instinctive acts are clearly depicted, and there was room for sexual desire to enter in between, so I could convince myself that "it can't be helped because it's a man and a woman" even while being jealous. But this work is different. From the start, hugging continues for a while, words like "I wanted to be like this" and "I want to stick together forever" overflow, and finally, Kanna's face is hidden by mosaic due to such long kisses repeated.
There is a term "ana mote" (hole popularity), but the simplistic instinct that "as long as there's a hole, it's fine" is directed in many ways. However, the mental aspect of "wanting to touch" and "wanting to stick together" is directed only at limited people. When the mental aspect is shown to the utmost, there's no escape. It's not a cliff, but rather a fall. After being thoroughly hit with the emotional connection, small and gentle climaxes continue. And moreover, mutually. The fact that it's mutual conveys that they care for each other, and precisely because they don't get rough, the emotional connection stands out. After climax, they always hug and kiss. Moreover, this time Kanna was having sex that tried to break down the other's boundaries. I keenly feel that she wants to become one. Even just the movement of her hips gives a strong sense of welcoming.
I have experienced heartbreak many times in lesbian works and Kanna's works, but this one may be irreparable. "Physically impossible" still has the possibility of revival, but "cannot compete" is, well, impossible.
I really want to know the impressions of male viewers. How did it appear to men?