[JUR-099]

Living with My Stepfather for 4 Years… This Is the Story of How I Kept Getting Fucked Raw, Awakened to Pleasure, and Got Pregnant. Miki Sunohara

It's been a year since we got married. With my husband's income decreasing and struggling to make ends meet, we decided to move into his parents' home. When we had gotten used to life there and were busy trying to conceive a child, that incident happened. As if taking pity on us for not being able to have a child easily, my father-in-law suddenly attacked me. After that, no matter how much I refused, I was raped every single day. That twisted relationship continued for a long time, and before I knew it, four years had passed...

Husband's child? Stepfather's child? Which one is it? A story of a wife, played by Miki Sunohara, who ends up pregnant over four years after starting to live with her father-in-law. The cohabitation begins when her husband Makoto is laid off, and while Miki is eager to conceive, results don't come easily, and her husband gradually shows signs of giving up. Around that time, her father-in-law advises, "Why don't you try inserting it?"—a progression that follows nearly the same flow as the first installment of the series. Initially, Miki is passive and fish-like, as if being threatened, and insists, "Makoto feels better." However, as her relationship with her husband fades and loneliness and frustration build, she's looked down on by her father-in-law, gets fucked, and receives creampies, gradually awakening to pleasure. Eventually, she uses her blowjob skills to please him and gets facials, and during insertion, she becomes so addicted that she violently thrusts her hips on her own, spending fulfilling days with her father-in-law. When Makoto gets promoted and they move, they resume trying for a baby, and the marital relationship returns to harmony. But on a hot spring trip, Miki, after enjoying foreplay, says, "I want your child, Father-in-law," gets inserted and receives a creampie, and basks in ecstasy. The scene in the middle where Miki moans and cries—is it frustration from feeling too good, or a sign of happiness? The series' signature bit of the father-in-law hiding under the kotatsu is still present, but the reason for hiding is unclear. Makoto moves out because he feels he's burdening his father, but if that father also moves in with them, does the move even make sense? Miki says, "I want your child more than Makoto's," but it remains questionable whether the father-in-law truly wants a child. This is my first time watching Miki Sunohara, but she's beautiful, has a great figure, and her veteran acting skills shine. In other works released the same day, featuring her in her mid-30s, there are many series I want to watch, like "Five Years with My Son's Friend" where she falls from lover to fuck buddy, "Midsummer Massive Convulsions Arching Back" with an affair, "Your Wife Was Amazing," "The Plain Office Wife in Accounting," and "This Dick Is Like a Weapon," raising my expectations. Over four years, the wife falls and the father-in-law relieves his sexual desires, resulting in four years of creampies. The wife, torn but addicted to sex with her father-in-law who fills her loneliness, achieves her longed-for pregnancy. The father-in-law enjoys creampie sex anytime with the beautiful wife he's been eyeing since she married his son. The husband's work goes well, and he's overjoyed at the long-awaited pregnancy. It's a family-happy ending typical of Madonna dramas, and it's a series I never miss. This series often features new actresses or those in their second or third work after transferring, and this one follows that trend. However, many end up losing their exclusive contracts or retiring after a few appearances (currently only Mahiro Ichiki and Haruka Kitagawa are exclusive). I don't think it's just my imagination, and if they're deliberately casting such actresses from the start, this might actually be a rare and valuable series. A drama-style piece for the first time in a while! Miki Sunohara's second release since becoming an exclusive Madonna performer is a long-awaited drama work. Her acting ability in portraying her awakening to pleasure and the gradual shift in her emotions is truly unmissable. The outfits and lingerie that appear in each scene are all adorable, and the changes in her hairstyle are also points worth paying close attention to. I'm almost at a loss as to whether the word "glamorous" alone can fully capture it. I don't intend to compare it to her past works, but each period has its own unique charm that can only be brought out at that time. Compared to her younger days, her allure has been further refined, and the depth of sensuality unique to an adult woman is expressed greedily and brilliantly. Without a doubt, this can be called her masterpiece. Madonna's stunning acting skills shine in her second exclusive release. There have been many works featuring a beautiful bride role before, but those felt more fittingly described as "young wife." In contrast, this second work as a Madonna exclusive actress exudes a "madam" aura. Her age-related charm naturally seeps through. With a stable performance, she perfectly embodies the madam role. In the first sexual encounter, her rationality is at work, and her resistance is clearly on the surface. In the second, while carrying guilt, her hesitant yet gradual acceptance is carefully depicted. By the third, she has completely let down her guard, and the image of the son's wife enjoying the secret affair—no, now fully as a "wife"—is striking. A sense of immorality permeates the entire work, making it a compelling piece.