People who are M might be good at playing the S role. Director Masaki Nanho presents a Kansai-dialect-heavy nympho-themed work. Usually, she uses standard Japanese and focuses on dramatic developments, but in this piece, she almost entirely employs Kansai dialect, fully committing to being a nympho who toys with men through verbal abuse. Thank you so much!
Her natural dialect, true to her Kansai roots, shines through, conveying a "real" sense of presence that surpasses her usual works, and I couldn't stop getting excited. Also, she's often cast in roles where she's trained as an M, violated, or cuckolded, but this time, she unusually takes on an S role as a nympho. Honestly, I felt this was a perfect fit for her.
Scenes where she unilaterally attacks men with Kansai-dialect verbal abuse and persistent edging play are abundant, drawing out a new potential in her that we don't usually see. Personally, I think that because someone who's usually an M understands "how it feels to be attacked and get excited," they can naturally play an S role. Conversely, it seems difficult for someone who's usually an S to play an M role.
At the beginning, she said, "I'll break out of my shell," and true to those words, this work lets you experience the breadth and depth of her acting. What I liked best was the esthetic scene where her voluptuous body became slippery with lotion and oil. And the best line was, "You want to fuck your idol, don't you?"