[DASS-985]

Would you like to be kept by me? True story: A stunning beauty keeps a lesbian pet Hanamiya Kyoko Kana Yura Kotone Fuyuai

"You want to be kept by me, don't you?" -- At the mistress's words, the pets entrust both heart and body completely. Asked, "For the sake of your mistress, you'd entrust the other's heart and body too, right?" a lewdly entwined lesbian harem unfolds. As the love and hatred between the mistress and her cats deepens, voices compete, shouting, "I'm way more amazing than her!" To the sight of them begging, "Please do more to me," crystals of love, drool, and sweat are born. The masochistic pets, fiercely showing off to each other, are urged, "Show your true selves," and lay bare their instincts as "submissive lesbian pets who've fallen into masochism."

Hanamiya Kyoko's power-packed torment explodes! The overwhelming height difference between Hanamiya Kyoko, who is 175 cm tall (though she's wearing heels over 10 cm, so she's estimated to be nearly 185 cm), and the two lesbian pets in the 140 cm range (Kana Yura and Kotone Fuyuai) is strongly emphasized throughout the entire work. Particularly striking is the scene where Kyoko holds little Kotone between her thighs, fixing her in a wide-open position with her legs, while using her left hand to choke her neck, covering her mouth with a kiss to control her breathing, and guiding her to climax with a fingering with her right hand. This dominant posture shines as a staging that maximizes the height difference. Also impressive was the scene of Kyoko's station-style fuck with a strap-on. A station-style fuck between women is a novel attempt I've never seen before, offering a fresh surprise. In male-female station-style fucks, if the actress is of a certain build, the actor struggles to lift her, and hip movements tend to become sloppy. But in this work, Kyoko, in the 180 cm range, effortlessly lifts a pet in the 140 cm range, flashes a relaxed smile, and vigorously thrusts her hips, powerfully driving the strap-on into the pet's crotch. The movement is so intense that the strap-on even slips out midway. Furthermore, the camera angle looking up from Kyoko's feet at this moment creates overwhelming power, a superb shot that reflects director Masaki Nanho's meticulous attention. Throughout the entire piece, Kyoko occasionally shows a relaxed smile while relentlessly tormenting the two pets, and it's a magnificent work guaranteed to make you release in various scenes. I'm glad I bought it! The cleanup cunnilingus performed after a massive squirting session is extremely sensual, and its depiction enhances the overall eroticism of the work. The performer's serious attitude comes through vividly, conveying a real excitement that goes beyond mere staging, making this a high-quality piece worthy of praise. S Queen Attack Hanamiya Kyoko's aggressive (training) approach was truly outstanding—just my personal opinion, though. The work starts with an interview scene, then unfolds into a full-fledged training segment. Initially, it was a style where both were attacked simultaneously, but as the assault progressed, the expressions of Kana Yura and Kotone Fuyuai gradually melted away, which was striking. The squirting scene in particular was overwhelming, and I was amazed by its intensity. Not only was Hanamiya Kyoko's technical assault impressive, but the M-sensitivity of Yura and Fuyuai also matched perfectly, bringing out the unique charms of all three. I'd love to see these three collaborate again, and next time, I'd like to see a pattern where their roles are reversed.