[MURIKURI-011]

During practice, he took control of two female archery club members through power-harassing sexual guidance, turning them into obedient W-hole slaves. Who's the JAV actress in this video? Amateur? Name revealed!

The captain of the archery club, admired by her peers, has big breasts but gets flustered when touched during practice. Her hakama is torn, and she loses her composure during finger-fucking training, collapsing in orgasm. Her weakness is exploited, and she descends into the vile pleasure of the instructor's dick. Meanwhile, a promising junior member with a beautiful shooting form, unable to defy the perverted advisor, takes on remote vibrator training with full concentration. However, she is shot with a meat arrow and forced into humiliating sex. The worst ending awaits at the end. The two, stripped to the waist, receive special double instruction, are drilled with pleasure in a Spartan gangbang, and end up with pathetic ecstasy faces. As a finishing touch, they are encouraged with a massive bukkake.

The actress might have experience in kyudo (Japanese archery). Even in major dramas, there are many works where the way the bow is drawn is sloppy, but in this work, either the actress or a staff member must have experience in kyudo. In the opening of the drama part, technical terms like "shahō hassetsu" appear, and the way the actress draws the bow and her stance are extremely beautiful, and I was captivated by that quality and ended up buying it. (I'm a bit concerned that the male club member might be an archery enthusiast, since his bow-drawing style looks like Western archery.) It's a development where both of them are overcome despite their resistance, but the faces visible through the masks have a dignified atmosphere fitting for kyudo practitioners, and it's impressive that they don't resist too violently and are taken down. Especially in the blowjob scene, the upward glances convey a sense of pride and dignity as martial artists even while being violated, which personally hit my sweet spot. A Collaboration of Kyudo Beauties Yui Asakaze and Sumire Aisaka. Both actresses share the commonality of making their debut as kyudo (Japanese archery) girls. Expectations were high for a collaboration between these beautiful women, but it was a bit disappointing that masks were worn for about three-quarters of the entire film. That said, the moment when their buttocks are exposed from under the hakama is extremely erotic, and scenes like Yui Asakaze drawing the bow with her chest exposed, or Sumire Aisaka drawing the bow while revealing her genitals, are particularly noteworthy highlights. The scenes where arrows are inserted into their private parts are also humiliating and highly arousing. However, rest assured that the arrowheads are made of rubber. Their orgasmic faces during sex, especially Sumire Aisaka's expression as if she's tripping into another world, and Yui Asakaze's sweet voice, are captivating. This work strongly stirred my emotions with its depiction of non-consensual sex devoid of romantic feelings and the kyudo beauties being violated unreasonably. I bought it because I wanted to see Yui Asakaze. This work was likely filmed under the influence of the coronavirus pandemic, so all the girls appearing wear masks. On the other hand, the male actors don't wear masks, and it seems this might be a work marketed around "masked girls." I was a bit disappointed by the masked appearance, but even so, Yui-chan's performance was worth watching. In particular, the blowjob scene where her hair is grabbed, almost like an irrumatio, was impressive, and the large amount of saliva spilling from her mouth was quite good. As always, her facial expression was erotic, and I was drawn to the way she took it almost to the back of her throat during the blowjob. At the end, the scene where both receive a massive facial cumshot was also very erotic. Additionally, their appearance in the archery scene was very cool, and the contrast with their performance added to the appeal. The content that gradually escalates is exciting. First, my honest impression after watching about the first hour is that the girl in the judo uniform is simply fantastic. As someone who has seen that famous anime about kyudo, Yui Asakaze's movements, posture, and the way she releases the arrow are incredibly realistic and authentic, making me seriously absorbed in watching. Despite the makeshift, simple archery range, the way the arrow accurately reaches and hits the target is so impressive that I'm left speechless. On the other hand, the instructor, who had been waiting for an opening, goes berserk and gradually escalates. As a result, the captain played by Yui Asakaze is attacked. She tries to resist the sexual harassment-like guidance that abuses her position of power, but gradually her strength fades, and she becomes prey to the thick punishment rod. This series of events is depicted very carefully, and combined with Yui Asakaze's excellent acting skills, it was extremely arousing. Although it's a long work exceeding three hours, I think the first hour alone provides considerable satisfaction. I can confidently recommend this to those interested in kyudo, those drawn to girls in judo uniforms, and those who already own works by Yui Asakaze. Please give it a try. What a vivid fantasy. The long-awaited new work has arrived. It far exceeded the expectations I had from Asakaze-san's debut, and I was amazed. The practice scene could have been cut without issue, but the atmosphere of the students' training was faithfully recreated and felt realistic. However, given this story's development, the presence of male students might not have been necessary. Regarding the description of the judo gi, the common urban legend about not wearing underwear is often heard, but there's also talk of actually wearing a fundoshi. I could feel attention to such details. The idea of tearing the hakama was an excellent plan, and I sense potential to apply this to some kind of play. I look forward to even more refined content in the next work. Personally, I have high expectations for future works, such as developments involving restraint play evolving from private lessons.