[JUR-711]

The plain childhood friend who used to like me had evolved into a voluptuous, big-breasted married woman, so I fucked her raw until my sexual desires were completely spent... Kurea Hasumi

Back in my school days, I was popular, but after entering the workforce, my friends got married one after another and drifted away, leaving me a dull, single man. Then one day, while working an electrical inspection job, I met a beautiful woman at a house. That woman was Kurea, a former classmate and childhood friend who had confessed to me 10 years ago. She had no trace of her plain past self, having evolved into a beautiful, big-breasted, and seductive married woman. A few days later, when I visited Kurea's house again, I couldn't suppress my desires...

The plain girl with glasses polished her sex appeal and technique. The once-plain 14th heroine, Kurea Hasumi, transforms into a captivating married woman. In high school, she confessed to the popular guy Ichi but was dismissed as "too plain." Now, a decade later, they reunite in a familiar storyline. She constantly fights with her husband over trivial matters, leading to a sexless marriage. When Ichi visits to borrow her shower, seeing him naked unleashes her long-suppressed desire, and she confesses, "I've always loved you," before taking the initiative herself—a striking scene. Previous installments followed a pattern: a chance street reunion, exchanging contact info, a fight with her husband prompting a visit to the guy's place, reminiscing about old times, and then sex. But this time, Ichi, working as a contractor, repeatedly has sex with her in her own home. This echoes the director's "The One Who Used to Like Me" series. Kurea showcases her proud big tits with a titjob and demonstrates advanced technique, guiding his dick into her pussy using only her hip movements, no hands. One can't help but imagine that if she approached her husband with her perfect body like this, they'd be having non-stop sex instead of fighting. Kurea Hasumi returns, marking her second Madonna appearance as a kikatan. As a popular long-running series, I hope for more drama-focused works like the exclusive-heavy "President's Office Creampie Sex" or "After the Graduation Ceremony," similar to other series. This series requires a 10-year reunion, and this installment follows that formula. However, the claim that she's been married for 10 years at the start, and the overly young settings of the previous two heroines, feel forced. Still, since this is a rare series for Madonna that's also shot frequently with kikatans, I'd love to see new entries with returnees like Sora Amakawa, Ren Hibiki, or Aya Sasakura, or even exclusives like Kanoe Yuki or Mio Kudou in plain glasses. This is a work that leaves you unsure where to focus your release. This is a work where Kurea Hasumi's charm is on full display, making it impossible to stop stroking and cumming. The standing doggy-style raw creampie highlights her beautiful back and waistline, with a powerful sense of penetration deep inside. The handjob scene in the bathroom, with water splashing and cum shooting out, is sensual and visually arousing. The titjob cumshot also makes full use of her ample breasts, perfectly matching softness and strength. In the final chapter, there's intense cowgirl-style creampie, deep missionary from behind, and a normal position creampie that spurts out, creating a relentless climax. The entire film is packed with jerk-off moments, making it hard to decide which scene to cum to—every moment is unmissable.