[JERA-045]

At work, the untouchable flower of the company, Yukimura Itsuki from the accounting department, invited me under the guise of a meeting... When we entered a love hotel, she gave me a devoted blowjob, so I had her swallow my cum and creampied her multiple times.

"I have something I want to talk to you about..." — That's how Itsuki-san, a coworker, started. We made time for each other and decided to talk in the car. Wanting to chat somewhere a bit quieter, I drove, and a love hotel came into view nearby. Whether out of curiosity or not, she said she wanted to go in, so we headed to the hotel. Then she started taking off her clothes and seducing me. Going with the flow, we crossed the line. The woman, who originally had feelings for a married man, decided to spend time at the hotel until nightfall. As the man's indecisive emotions wavered, the woman grew more serious, and though feelings fluctuated, in the end they had sex and she gave herself to him. Content: 1 chest shot, 1 facial, 2 swallows, 2 creampies. 9:00... Worry consultation drive. Meeting up early in the morning and getting in the car is with the office Madonna, a coworker. While talking about having something to consult about, we chat about hobbies and gradually close the distance. Wanting to talk somewhere quieter, I invite her to a love hotel. On the condition that we do nothing, the two of us enter the hotel. 10:00... Hotel check-in, sex with a condom. Sitting on the sofa, the two discuss their worries. She's troubled by workplace relationships. When the consultation ends, she urges me to come closer and we kiss. Laughing at my hesitation, she kisses me again, and we move into an adult relationship. 11:00... From blowjob to facial. Taking a break in lingerie, she asks, "What do you think of me?" Wanting to give more head, she gets close and performs a devoted blowjob. After a massive ejaculation on her beautiful face, we leave the hotel, thinking about stepping outside for a bit. 16:00... Evening drive. Taking a short break, we leave the hotel and go for a sunset drive. Entering a parking lot, she spills her current feelings and stares blankly. When I join her, she says she wants to do it again, so we head to a second hotel. 17:00... Cosplay sex with creampie. Entering the hotel and drinking alcohol, the woman lets out her true feelings to the man. "Want to have sex once?" she says, changing into a cosplay outfit for some fun. "We don't need a rubber anymore..." she says, inserting raw, her body flushing as she takes a creampie. 19:00... Blowjob and semen swallowing at the sink. Changing into casual clothes, it's toothbrushing time. Kissing the man, she wants to do it again and gives a blowjob. Happily swallowing the sperm that comes into her mouth, the two head to the bed. 20:30... Sex with creampie and chest shot. Time-wise, it's the last sex... Slightly tipsy, she speaks her true feelings with tears in her eyes. "I want to have sex one more time," they embrace, and with raw sex, a creampie. "You can let it all out," she says, inserting again for a chest shot. When both are spent, they prepare to leave and exit the hotel. 22:30... Nighttime farewell drive. On the way back, the two reflect on the day. At the parting, they kiss, and the woman, looking reluctant, gets out of the car and says goodbye.

Isn't this just Itsuki-chan's charm on full display? This was a work packed with sweet, lovey-dovey moments, and I was very satisfied with it. The way they gradually closed the distance at the start was especially exquisite—the kiss scene that begins with the line "You're not running away, huh?" had me rewinding and watching it over and over again. The shyness that followed was truly adorable, and I couldn't help but smile. Even though it was time to part ways and they had to go home, the repeated pattern of asking "Are you going home?" and then sulking really highlighted Yukimura's tsundere charm, and I found that side of her just as cute. The natural conversations and gestures, so realistic that they didn't feel like acting, were woven throughout, and I think this is a wonderful work that captures Itsuki-chan's appeal to the fullest. The capable accounting department's Itsuki-san was a cunningly cute femme fatale. The long-awaited lovey-dovey documentary-style work. While driving to find a quiet place to consult with a married male coworker, the man casually says, "There's a hotel district around here..." which becomes the catalyst. Itsuki-san, who secretly harbors feelings for him, cleverly uses that remark and smoothly leads them into a hotel. After arriving at the hotel, she pretends to seek advice about changing jobs while throwing out feelers to gauge his feelings for her. Making the hesitant man sit beside her on the sofa, Itsuki-san gradually grows bolder, progressing from a kiss to a physical relationship. Later, there's a scene where she vents her frustrations and desires alone in the car, and her emotions are carefully depicted, which was endearing. In the next chapter, the scene where Itsuki-san, holding a highball, seriously pressures him to leave his wife is striking. Against the indecisive and wishy-washy man, she fires off confusing questions like hit-and-run attacks, sometimes cornering him with piercing remarks. After he promises to break up with his wife when he gets home, and with the help of alcohol, Itsuki-san's face flushes with delight, and they embrace again. When the man says, "You're better than my wife," her expression of blissful pleasure was impishly cute. In this scene, she wears the black cosplay outfit from the jacket photo, and its sexiness got me excited involuntarily. In the final encounter as their parting nears, Itsuki-san's expression, smiling yet tinged with sadness throughout, is memorable. The lingering after each part is also drawn out, allowing full enjoyment of the intimate scenes, which was great. After parting with the man, there's a scene where she mutters her loneliness while walking alone but then shifts her feelings positively, showing thorough craftsmanship until the end. The expression on her face when she says "Bye-bye" and closes the car door was especially striking, making even me feel genuinely sad. Throughout the work, Itsuki-san's gesture of patting the sofa for the man to sit beside her, her "Yoisho" when getting up or in and out of the car, the delicious "Ah~!" after drinking the highball, the toothbrushing scene, her sulky pouty face, close-up camera looks—there are so many cute scenes I can't list them all, and I was thoroughly satisfied. Finally, the film-like, noisy photos of Itsuki-san in the sample images for this work are so lovely that I sincerely hope they release a photo book. Yukimura Itsuki: At the Entrance to the "Swamp". A Single Work Packed with Maddeningly Passionate Performance and Charm. The actress Yukimura Itsuki has a perfect balance between a beautiful and cute look, with a slender figure that is captivating. Her acting and play style naturally draw viewers in, making this a standout piece. For those thinking, "This actress piques my interest," this is a work you should definitely pick up. The highlight is especially from the middle onward. After drinking alcohol, her face, body, and even eyes turn red, and she unleashes a "super heavy" performance as she pressures her husband to leave her. In the subsequent play, the way her already flushed body becomes even more crimson is so impressive that you can't look away for a single moment. When she takes the offensive, she actively toys with the male actor, but when she switches to the defensive, she suddenly shows shyness—this gap is irresistible. Saying things like "I hate you" and "You piss me off," yet still forgiving and accepting everything, that feeling has tremendous destructive power. Also, Yukimura's acting skills shine throughout. In the early scene where she prompts the male actor to sit next to her, the gesture of patting the chair and her expression... just that alone captivates you. And the impact of the one word she mutters just before kissing is beyond words. By the way, in the cuddly parts, there are many scenes where the two whisper quietly, and honestly, some parts are a bit hard to hear. But that's exactly why it creates a realistic feeling of peeking into "a private room for just the two of them," which adds a fantastic flavor. With a generous runtime and beautiful 4K quality that lets you fully enjoy Yukimura's refined beauty and every detail, this is a top-notch point. The acting where the distance between them gradually closes due to their workplace relationship is the best. At first, there was a sense of distance with polite, respectful language, but the gradual process of opening up was acted very naturally, and that gap was irresistibly adorable. In particular, after just one highball, Tsukki's face and entire body turned red, and her tipsy state was a must-see. Seeing her blotchy redness, I worried, "Maybe alcohol doesn't agree with her," but that clumsy side only highlighted her loveliness, making it a very satisfying experience. As soon as I saw this work, I immediately bought up Yukimura's other works! Lately, as I've been watching works by Yuuya Jealousy in succession, I feel that this work is undoubtedly top-tier in quality. It's incredibly rich in content and has turned out to be a truly magnificent piece. If you watch this work from start to finish with such concentration that you'd begrudge even a blink, you'll undoubtedly fall deeply into the charm of Yukimura Itsuki. In particular, each of her expressions and gestures is carefully depicted, and even non-fans will find themselves drawn in.