[RCTD-745]

Brainwashing Drawing Model ~The Secret of the Shameful Art Class~ Who's the JAV actress in this video? Amateur? Name revealed!

The moment she steps onto the platform with the magic circle drawn on it, the drawing model turns into a brainwashed onahole. Her sexual desire increases, and she becomes unable to defy the painter's voice. Not satisfied with just nude drawing, it escalates to nose hooks, mudfish scooping, and full-body obscene graffiti. She is transformed into pathetic and ugly poses and expressions, dominated by brainwashing. With a pantyhose over her face, she gets creampied, and while being poked by a dick, she makes a pathetic ahegao face and cums repeatedly.

Excellent! The elements of a pathetic appearance, full nudity, and a nose hook were exquisitely combined, making this a truly wonderful work! It perfectly hit my fetish, and I am completely satisfied. I sincerely thank you for creating such a piece!! Mio Ichijo's nose chopsticks again! Lots of face abuse elements, which is good. "I immediately bought 'Mazowolf 2' on release day because Mio Ichijo's loach scooping and naked dance were so addictive, and I never expected to see her with chopsticks in her nose again, especially this time with Shizuku Aonami also joining in. The overall atmosphere of the work feels like a mix of non-resistance themes like 'Ahe Face Freeze Bug' and 'Time Stop,' with a faint hint of brainwashing elements. Since the theme revolves around being a drawing model, the focus is on full-body wide shots, but there are also close-ups in moderation, creating a perfect balance. Particularly in the solo part with Ichijo, you can enjoy extensive facial deformation play, which is irresistible for those with a fetish for it. However, while it's unavoidable due to the concept, it's a bit disappointing that the loach scooping isn't actual movement but just a series of poses. On the flip side, the close-ups of her pathetic face with chopsticks inserted and the wide shots are well-presented, so it's a mixed bag. The combination of nipple bells and party tricks is a perfect match, and I'd love to see more of this in future works. What felt regrettable was that in the latter part, when both of them are wearing panties on their heads or in loach scooping poses, the costumes seemed to have already changed between cuts. If there had been scenes of them putting them on themselves or being dressed while unresisting, the sense of being brainwashed or helpless would have been more emphasized. Since I also enjoyed the costume change and rotating platform part of 'Ahe Face Freeze Bug 3,' this work had many elements that hit my fetishes, and I had a great time. Looking forward to the next installment!" I'm happy there's a lot of face-touching. The scenes where they modify the face or add graffiti are included, and I am very satisfied. While there have been many works featuring graffiti on the body, I feel that cases where the pen reaches the face have been surprisingly rare. Recently, ROCKET's works have gradually increased such scenes, and I am truly delighted by this trend. However, if I may be greedy, it was a shame that most of the process during the graffiti application was cut out. I sincerely hope they will thoroughly show that process in the future. I look forward to upcoming works. I'm glad I can see the nose hook! Every time I see Mio Ichijo in a nose hook pose, I'm captivated. And Shizuku Aonami, who was trying the nose hook for the first time this time, had an incredibly sensual expression that grabbed the viewer's heart, resulting in a wonderful finish. Being able to enjoy the nose hook scenes that highlight the different charms of these two at the same time was truly a luxurious experience. The visual impact was also substantial, and I'm thoroughly satisfied with the high quality that makes me want to watch it over and over again. I sincerely thank you for delivering such a wonderful work. Could you have done the face pantyhose a bit more? As a long-time fan of face pantyhose fetish works, I've been following ROCKET's releases for years, and they've been putting out particularly high-quality face pantyhose pieces recently, so this latest work left me with the impression that their attention to detail has slightly diminished. I feel sorry for having held such selfish expectations. However, I can appreciate the minor adjustments made to the situation in the latter part of the play. Mio Ichijo's distinctive way her nose beautifully lifts was clearly visible, and I felt her expressive power was as impressive as ever. It's a shame that her hair covered her face too much, but her charm still came through sufficiently. The two actresses' performances, putting their bodies on the line, were truly compelling and full of impact. I sincerely hope this series will be produced again.