A long-awaited masterpiece It's been a while since I've come across a mother-swapping AV that truly got me excited. Among them, Rion Hiiragi particularly stood out, exuding a lewd atmosphere as the mother role that drew me in completely. If there were additional scenes like a 4P or 6P standing doggy-style where the mom friends intertwine and compete with each other, along with a setup that stirs jealousy in the sons and mothers right before their eyes, it would be an absolute masterpiece. If such a scenario were realized, I think it would bring even more intense excitement.
13 Years Later, a Remake As a remake after 13 years, the greatest appeal was being able to enjoy a classic masterpiece with a fresh perspective in 4K quality. The video quality has improved dramatically, and the way every detail is beautifully rendered left a strong impression.
All the mothers appearing in the work were beautiful, and each character stood out. In particular, the dialogue exchanges within the work felt very realistic, creating a natural atmosphere. The final line, "Well then, we're mom friends again," was a wonderful conclusion that left a lingering aftertaste and resonated deeply.
Additionally, new elements not present in the previous work, such as a roundtable interview and a dangerous-day pregnancy ending, have been added, making it packed with highlights. These elements add depth to the work and enhance the value unique to a remake.
However, the only disappointing point was that it would have been better if there were four mom friends. I felt that adding one more person could have generated even more diverse relationships and drama. That was the only regret; overall, it was a highly satisfying work.
I was outdone by a professional work. Like the previous installment featuring mothers, aunts, and aunts, this was a remake after 13 years, but while faithfully following the overall structure, the quality of each scene clearly improved, making it a solid work.
First, the discussion segment. The staging of gathering mom friends and inserting non-erotic conversations, along with the introduction of the setting "they've been committing incest from before," which hasn't been seen much, felt fresh and interesting. I was surprised they brought in that setting here, rather than in a commemorative work for the umpteenth release or a special where everyone's relatives.
Next, the panel behind before the start. The flow of the moms taking off their clothes while chatting was good, but next time I'd like to see a scene where they remove their bras themselves.
The lead was the mother and son of Suzume Habatake. The son was supposed to have said he likes Hayama Sayuri, but during the fucking, he creampies her and it ends there. After that, the son of Hayama Sayuri, who seems to have a mom-loving vibe, tries to go for Rion Hiiragi, which felt a bit inconsistent. The roles depicting the conflict between real mother and mom friend were scattered, and since the mother barges in and cuts it off just as they're about to go with the flow, the sense of conflict was weak. However, I think this is better than the heavy, literary style of mature-themed makers—it's lighter.
Rion Hiiragi's scene was the best. As expected from a big-breasted cast, she showed off a titjob. I thought after the other two, the real mother's titjob would be the grand finale, but it turned into a blowjob, and for a moment I feared a disappointing development like the grandmother of the older sister, mother, and grandmother (that old lady was simply lacking in size) or the dick-slapping from the previous installment, but she firmly finished with a titjob and ejaculation between her breasts. I would have liked to see dick-slapping since they've been doing it from before, though. The creampie while being watched by the mom friend was also good.
Hayama Sayuri's scene was good with the fully nude tea party play using the folded panels, but having her go last was iffy. It felt odd that Suzume Habatake and Rion Hiiragi, who had already had sex and creampies with their sons, would then be done by Hayama's son, and since Hayama has the smallest breasts of the three, having her at the end wasn't very satisfying. If it's not going to be a 4P, 7P, or 8P with everyone as relatives, I'd prefer the last slot to go to someone with big, flashy breasts.
The final part where everyone tests positive, and the hopes are split between the son and daughter, leading back to the mom friend, was good.
Was there no explanatory note about the Hawaii trip filming this time? Next time, I'd like to see a "Everyone's Relatives Special" followed by a "Hawaii Trip" arc.