[CJVR-056]

【VR】Super Slut Mask Door-to-Door Sales VR: My 13 Loads Drained by a Thick, Big-Boobed, Huge-Ass, Voluptuous Press – Aoi Hazuki

One day, the intercom suddenly rang. At the door stood a masked salesperson. "If you buy this drink... I can offer... some naughty... service..." Something was off! The perverted woman's aggressive sales pitch was too intense. Immediate blowjob at the entrance, a vibrator under her coat, a masked titjob with her huge breasts, deep French kissing, cumming on the mask, a vacuum blowjob while masked, and a cowgirl position with her big boobs bouncing. This ultra-slutty J-cup saleswoman targeted both the contract and my dick! With her plump, huge tits, big ass, and voluptuous body, she squeezed 13 loads out of me. I was completely drained by her super sensual body... Masked women are so erotic.

Tatsumi Fujinami: "Hey, you're Hazuki, right! I can tell from those tits!" When it comes to works where the face is hidden by a mask, it's common to conceal the performer's name and release it without credits. However, this work was different. The production side must have thought, "With these breasts, she'll be found out anyway." They boldly credited Aoi Hazuki and released it into the world. And that's only natural. Even with her face hidden by a mask throughout, the moment you see those extraordinary huge breasts, the subtitles for 'Aoi Hazuki' automatically pop up in the brain of any big-breast lover. It's not just an ID card anymore; it's a My Number card. Even if you hide her face, her breasts complete the identity verification. To put it in Tatsumi Fujinami's style, it's like, "You're Hazuki, aren't you! I can tell from your tits!" At this point, the mask is less of a disguise and more of a token blindfold. Since her body keeps announcing itself with full force even with her face hidden, the production side's decision to credit her openly was extremely correct, I'd say. This work exudes an overwhelming presence worthy of being called the "God of Boin" from the package itself, but when I actually watched it, what left a stronger impression on me wasn't her tits. Rather, I was surprised by the eros named "heat season" that Noa-chan continuously emits throughout the entire film. If humans had a heat season like dogs or cats, then the door-to-door saleswoman in this work is definitely at its peak. The brakes of reason have long been thrown out of the car, and she's running through life with just the accelerator. The sexiness is tremendous, with a lack of restraint that seems to say, "As long as it has a dick, anyone's welcome." Her behavior, appearing to lust after anyone and everyone, is the very embodiment of heat season. On top of that, the costume that seems to visualize heat season and the saliva constantly supplied like a faucet with a broken tap reinforce Noa-chan's collapse of reason to the extreme. This work is advertised with the theme of "super slut," but it taught me that when a super slut goes too far, she evolves into a super pervert. As a result, this work is both a piece to enjoy Noa-chan's extraordinary huge breasts and a piece that gradually erodes your brain with the heat pheromones dripping from Noa-chan. Before you know it, the viewer's reason is melted away, leaving only the thought, "This door-to-door saleswoman is way too horny, isn't she?"