Shiori Mamiya's "Ecstatic Face at the Moment of Plunging In" Shiori Mamiya's first VR work is a truly magnificent piece. Particularly impressive is the "ecstatic, enraptured expression she shows at the moment of insertion," which can be confirmed around the 30- and 45-second marks in the sample footage. The way her makeup, which carries a "landmine-type" or "pien" vibe, gradually breaks down feels incredibly real, and every aspect—her expressions, gaze, and makeup—was highly captivating.
Just when she seems to be smiling warmly at you, she suddenly shifts to a sharp, downward glare in an instant. This multifaceted change in expressions was superb, and I found myself glued to Shiori Mamiya's gaze throughout.
Her line delivery was also exquisite, with sweet whispers like "That old hag's got nothing on me—I'm younger, so my tits are way firmer, right?" and "Please use my body however you like" echoing right by my ear. The tone and nuance of her voice further heightened the immersive quality of the work. Truly a satisfying piece.
Overall, you can feel the beauty of Rei Shiratori's movements. Perhaps this could be Rei Shiratori's first VR appearance.
Come to think of it, her trademark glasses have disappeared without notice. She used to wear them often in her early works. Maybe she chose glasses intentionally because contact lenses would be dangerous during scenes where her face gets slapped.
Up until now, even though she's performed with multiple male actors, I feel like I haven't seen her in scenes with multiple female actresses much. I was very curious about how Rei Shiratori would interact with other women and what that dynamic would be like.
The story began. At the start, she blurts out to the two actresses, "You're not flat-chested, you know." That line, knowing full well she was inviting a retort, made me laugh involuntarily. I could feel Rei Shiratori's kindness in her willingness to sacrifice herself to subtly lighten the mood.
It was my first time experiencing her in VR, but the scene where she alternately licks my left and right ears, combined with the sound effects echoing in my ears, truly made me feel like "I'm being licked by Rei Shiratori." That's VR for you. The sensation of her breathing and running her tongue around my ear was pure immersion.
The blowjob scene also had incredible presence. Her saying "I'll lick it now" beforehand shows her meticulous personality. When she says "It's delicious," I fall into the illusion of being praised myself, feeling blissful.
And the realistic closeness when Rei Shiratori brings her face close for a kiss—this is an experience only VR can offer. The tension at the moment our eyes meet and lips touch, with her breath almost on me, is irresistible.
Her lines scattered throughout feel heavily ad-libbed, but they're remarkably precise. As expected from a literature department graduate. Her rich vocabulary gives the lines flow and narrative, convincingly drawing me into an erotic world.
The way she slaps another actress's butt with a sharp smack is probably a reflection of her own experiences in various scenes. It's practiced and efficient.
Even during a blowjob, when another actress pushes her head down into something like an irrumatio, she handles it with composure, having experienced the real thing from top-tier professionals like Pierre Ken. Experience speaks volumes.
Rei Shiratori apparently trains her body daily. Not just in appearance—for example, when switching positions with another actress in this work, there's no sense of unease about bumping into them or stepping on their limbs. She has that light, sharp movement characteristic of someone with a solid core. Her trained strength works to her advantage.
Overall, Rei Shiratori's movements are beautiful. Each motion is efficient, elegant, and captivating just to watch.