A married woman, Miho Yukishiro (pseudonym), living in Shinjuku Ward, captured while pushing a stroller on a casual walk. Her gentle smile carries a certain charm that quietly draws you in. Holding her baby and softly smiling as she pushes the stroller, she appears like a symbol of motherhood—her presence alone evokes a warm, comforting feeling. Yet beneath that tenderness lies a subtly erotic side. Her innocent, pure expression paradoxically highlights the hidden allure within her body.
This work reveals another side lurking beneath her everyday life. The interplay between her warmth as a wife and the concealed desires beneath is depicted with raw, unfiltered realism. The moment hands touch her body, the warmth and softness awaken sensations that seep deep into the soul. And the man's desire—how he chooses to take her—is laid bare.
The film shows a man approaching under the guise of offering a drink sample, the setup completed seamlessly, followed by visible signs of arousal. The subsequent scene in the sex room unfolds with merciless acts performed on her body, now in a completely trance-like state. She no longer comprehends anything, responding only by pure instinct. Then comes the act of re-opening her postpartum virgin passage—an act that feels almost ritualistic—as the cock plunges deep into her vagina with wet, squelching thrusts.
This work carries a certain implication: amid Japan's sexless marriages, perhaps the woman pushing a stroller is secretly longing for a cock. It portrays the duality within her—the kindness of a wife, and the hidden eroticism beneath. It also documents the twisted desires and psychological distortions of the man who takes her, captured as a personal recording. A shocking, realistic depiction of the hidden side of a married woman's daily life.