I often approach potential performers at Shibuya Station. My style is to stake out the area in front of Hachiko, carefully observing the flow of people to identify girls who might be open to negotiation. It's crucial to watch closely—you can tell who's been stood up and left waiting, or who's just aimlessly hanging around. Randomly approaching people isn't very effective, so I don't recommend it. Instead, sharing relatable reasons like "I got stood up" or "I just came here with nothing to do" helps build rapport and makes them more willing to talk. While scouting techniques vary by individual, this time I met a girl named Mayu in front of Hachiko. She was alone, glancing at her watch and looking around nervously. After checking her phone, she clearly looked disappointed—classic sign of being stood up. I casually joined her conversation, and eventually we agreed to grab a meal together. Surprisingly, she didn't have a single yen on her. She told me she works part-time as a freelancer, but rarely gets shifts—her lifestyle is practically that of a NEET. Normally, proposing an immediate shoot would fail, but someone in her situation is more likely to agree. As expected, when I brought it up, she was enthusiastic. Taking advantage of the moment, I pushed forward quickly and moved straight into filming before she could change her mind.