[NSFS-481]

Kiss Cuckold..7 My wife's lips were stolen. Hayama Sayuri

Wife Sayuri has a relationship with the driver. Suspecting her husband of infidelity, she gave herself to that relationship, but later learns of her husband's innocence. However, even after learning that she was deceived by the driver's lies, she cannot break off the physical relationship.

The mysterious charm of Hayama, who plays the unexpectedly cute president's wife Ozawa stars in the "Kiss Cuckold" series, and the three most recent works all feature former Madonna exclusive actresses who have never co-starred with Ozawa before. In particular, while Mizuhata and Sumikawa had short exclusive periods, Hayama, who had been a long-term exclusive and appeared in works where co-starring with Ozawa seemed natural, made me imagine she might have been refusing to work with Ozawa. However, when I actually watched, I was overwhelmed by Hayama's erotic charm. She was beautiful at debut but had an unsophisticated impression, yet now she radiates a glamour like a completely different person. Compared to the end of her Madonna exclusive period, her cheeks are fuller and her whole body seems more fleshed out, but it never looks like excess fat—just incredibly voluptuous with a mysterious appeal. Even the opening scene where she does a handstand and pedals a bicycle is already erotic, the rich naked body she shows in the sex scenes is beautiful, and the volume of her thighs in the final scene while still wearing pajamas is reminiscent of Western nude paintings. The heroine in the first half is depicted as truly arrogant and unpleasant, but the development where she falls into the trap of the driver played by Ozawa and ends up seeking sex herself feels more masochistic than being raped. This is likely due to director Nagae's skillful storytelling. The cunnilingus after the first sex is intense, and Hayama's plump body tinged with pink in the final sex scene is almost beautiful. After discovering she was deceived by the driver, the heroine immediately regrets and reflects, which is unexpectedly cute. The fact that she still can't cut off the relationship with the driver makes her appear cute rather than a villainess, and I think that's due to Hayama's presence as an actress. This work feels different from Ikuno Machi's "Younger Female Boss 3," which depicts from the wife's side the story of a "good" president who doesn't touch his young attractive secretary, and instead seems like a kind of spin-off of "Married Woman Secretary." "A kiss like a beast taking a female" – completely done in by Hayama-san's acting. Hayama Sayuri, during her time as a Madonna exclusive, honestly, I didn't have the impression that she was very proactive about kissing. Although her sensual charm was certainly wonderful, I felt she was somehow a regrettable actress. Therefore, I had imagined that she probably wouldn't co-star with Ozawa. However, this time, that expectation was completely overturned. The kissing scenes are just wonderful. Especially at first, she reluctantly responded as if taking out her anger on her husband, but then a narration said "a kiss like a beast taking a female," and the masturbation scene while recalling that kiss was simply stunning. Even for someone like me who doesn't usually get excited by female masturbation scenes, I was quite drawn in this time. And from the second time onward, the way she passionately sought Ozawa as if something had been released was impressive. The flow of sucking and then seeking the mouth again was also excellent, and I was completely captivated by Hayama's acting skills. Perhaps she gained a lot of experience during her Kikatan era, and I became a fan instantly due to her growth. Hayama Sayuri, whose acting in serials is also outstanding. In this work, you can enjoy Hayama Sayuri's performance, which has been polished even further. Her charm matches the worldview of director Nagae and FAPRO works perfectly, creating a wonderful harmony. The depth of her serious acting and the exquisite interplay with veteran actors are also highlights. Since leaving Madonna, she has gained experience at various studios and has clearly broadened her range as an actress. Her skillful use of both bright expressions and quiet acting hints at further growth in the future. Hayama is an actress who will continue to shine more and more. I would love to see her at events nationwide, especially in Hokkaido. Everything is the quality of the script. This work truly captures the essence of NTR. In particular, that old man's sneering villainous face at the end is really addictive. Every time that expression appears, I get a thrill. And above all, the sex appeal that Hayama exudes is simply overwhelming, even through the screen.