A plain married woman who becomes a young man's sex slave. Fuji Kanna stars in the fifth installment of the series where she becomes the lover of a younger colleague. She plays a plain married female accountant in charge of bookkeeping. Kitami, who has his eye on Kanna, uses the usual pattern to invite her out for drinks. The development is exactly the same as the first installment.
Kanna is embarrassed as she's subjected to dirty talk and groped. She's then taken straight to a love hotel. She's been in a long-term sexless marriage with her husband, and though she hesitates at first when Kitami makes advances, she gradually starts to feel aroused. When he penetrates her, she moans in ecstasy, climaxes repeatedly, and receives a creampie.
Initially, Kitami planned to threaten Kanna by showing her a video of their sex and turn her into a fuck buddy. However, he notices she has masochistic tendencies and begins to train her. As a result, Kanna starts dressing up stylishly and seeking out sex, transforming into the kind of woman Kitami prefers.
Fuji Kanna is one of Madonna's top actresses, playing various roles and appearing in most of their dramas. That's why I'd like to see her in more diverse scenarios, such as the role of a beauty salon client in the newly serialized "Humiliation Spreading Legs Breeding," an insurance saleswoman in "My Girlfriend's Mother with Excessive Sexual Desire," or a woman who stays over and indulges in sex in "I Ran Away from Home and Stayed at My Aunt's House."
A plain, sexless beautiful mature woman is trained by a younger man, becomes his lover, and squirts profusely. From the first installment, the flow of a plain, glasses-wearing married woman transforming into a glamorous one is exactly the same, from the dialogue to the sex scenes. However, the filming technique is skillful, with many close-ups of the penetration, and the male actor changes each time. Currently, they're filming with exclusive actresses aged 35 and over, so if they continue with Ichi no Aoi, Meguri, Kimura Rei, or in their 40s with Mito Kana, Ayumi Ryo, and Nanba Meika, I expect this to become director U-Kichi's representative work for Madonna.