From My Lover's Sweet Sex to a Friends-with-Benefits Relationship for 5 Years. Ririka Kinoshita appears in the 19th installment of the "Becoming Friends with Benefits with Her Son's Friend" series. Heartbroken over her husband's affair, she is comforted by her son's friend Shiro, who confesses his feelings. That night, when Shiro visits Ririka's bedroom, she says, "Don't tell anyone, okay? Not even my son," as she strips naked and responds with sex.
Ririka gently leads Shiro, who is nervous as a virgin. She delights at his young, curved penis, happily taking it in her mouth and teaching him how to finger her with a composed expression. But when he penetrates her, she shakes her hips wildly in her first sex in a while, looking satisfied after being creampied. The relationship continues, becoming equal lovers, and Ririka revels in the affair through sweet sex with Shiro.
However, when Shiro gets a girlfriend and Ririka presses him with "What kind of girl is she?", her expression is terrifying. As they discuss the future of their relationship, Ririka begs, "I'm fine as just a friends-with-benefits," and the power dynamic reverses. Like at the beginning, she silently strips, and the sex becomes a perfunctory job, as if saying "Hurry up and undress," with the sweet times gone. During fellatio, he tactlessly says, "She won't do this for me," and lightly urges the suffering Ririka during deep-throating with "Do your best for me!" At the end, Ririka watches Shiro leave without looking back, saying "See you later," with a complex expression.
Since director Kiyoshi Asagiri settled in from the 8th installment, the middle development changes slightly, but nearly the same flow of sex continues. Initially, Shiro is a virgin who loses confidence due to premature ejaculation, but Ririka rediscovers the joy of being desired and enjoys Shiro's improvement. Ririka Kinoshita's gentle smile, soft-looking body, and slightly sagging breasts exude exquisite eroticism, and I'd like to see her as "the mother of a girl with too strong a sex drive" seducing her daughter's boyfriend, exposing her asshole in the same-day release "Housewife with a Big Ass Maid," or simply enjoying affair sex in "Midsummer Massive Convulsions Shrimp Arch" and "This Male Organ Is Like a Weapon."
Madonna's drama series used to focus on actresses in their early 40s, but now we can see Kinoshita, in her mid-30s, being called by her first name by a younger man and enjoying cute, clingy sex. As for actresses in their early 40s who haven't appeared yet, I'd like Ryo Ayumi, and for mid-30s, Aoi Ichino, Minami Kojima, Koyuki Narumi, and Miki Haruhara, and I hope they continue with Asagiri's direction unchanged.