[SNOS-232]

Kiho Kanematsu naked in seconds! Sex in seconds! "Huh!? This is really too much!!!" Prank Instant Shove-In GP!

Beauty salon, publishing company, accommodation, and even the airport -- Kiho Kanematsu, who is extremely busy with work outside of AV, has her sanctuary (private life) invaded by a surprise "Shove It In GP" held without permission. Social norms, common sense, corporate ethics -- all completely ignored! With this ultra-aggressive ambush, the popular actress's composure crumbles in "seconds." Whether she's in a meeting or about to leave, it doesn't matter. She's tricked, followed, stripped bare without a word, and left completely naked. "I really can't do this here!!!" Then, just shove it in! She's knocked straight into orgasm. Her work-mode face suddenly twists in pleasure, and the raw, wet state and uncontrollable physical reactions, which are usually unseen, are incredibly exciting. This is a guerrilla-shot prank documentary from start to finish. Above all, we are grateful to have successfully released this work. This time, we were really skating on thin ice with compliance. Thank you, Kiho-chan! You were really wet even in your private life.

Even though it's a project Monthly Kiho Kanematsu Time. As someone who has watched countless works, honestly, even for a huge fan, sex scenes alone inevitably get boring. The appeal of AV lies in its unreality, and in that sense, I think this work required quite difficult acting. However, her acting skills are as impressive as ever, and before I knew it, I found myself getting excited while watching. If she truly disliked it, she wouldn't do it, and I sincerely applaud Kiho Kanematsu's earnest dedication. If you like Kiho Kanematsu, this is an AV you should watch. This series, which began with works starring Yua Mikami, a former top actress of S1, is sometimes described as "for enthusiasts," but since I'm a fan of Kiho Kanematsu, I bought the 4K version without hesitation. My assessment is summed up in the lines Kiho delivers at the end of the work, when she appears wearing only black socks and glasses, completely naked. At the 2 hour 26 minute 41 second mark, the male actor Tachi asks, "How was that? Give me your thoughts," and Kiho replies with a beaming smile, "Fuck off!" Due to the influence of the new AV law, this work has become a variety-style piece with strong comedic elements, and I felt it was aimed at hardcore fans. Overall, I was left with a strong impression that Kiho, the director (likely Director Kyosei?), the male actors (Sawano, Samejima, Nojima, Tachi), and the extras were having fun while leaving the viewer behind. To be honest, this kind of variety AV doesn't work as jerk-off material for me; my dick just doesn't get hard. I completely agree with past series reviews that said things like "There's no need for gonzo in this kind of slapstick work" and "The cameraman should just shoot it normally." I'm sorry, but this is unpleasant. Are there fans who don't know about the new law? The actress should have consented to everything through the director's interview, the call sheet, and the script (instruction sheet). Yet, I wish they'd stop doing unfunny comedy routines at the start of each chapter. At the 1 hour 12 minute 5 second mark, there's an exchange where the director says, "This kind of project often makes people hate you, so let's do it to the actress!" Samejima responds, "I still want to quit, I do," and the director suggests, "If it's going to be a no-go anyway, how about we attack somewhere flashy?" Samejima agrees, saying "Sounds good," and when the director asks, "Like the lobby?" Samejima replies, "Well, the lobby would be a social no-go, wouldn't it?" Also, is it necessary to stream almost entirely low-resolution, voyeur-style footage from start to finish and sell it as a 4K video? How is it that the 2K video of the same gonzo work "Private Was Erotic (SNOS-017)" has better image quality? Everyone knows that pranks and guerrilla shoots are fantasies due to legal and other reasons. "I get it, I get it!" If they want to create a voyeuristic atmosphere, I'll go along with it, but at least when the camera switches to the male actor's handheld, I wish they'd show Kiho's naked body in beautiful quality. The expressions of confusion and pleasure are good. This was another wonderful work. I was especially drawn in by the situation of actually engaging in the act in such a place, and the exquisite confusion on Sakyan-san's face. The way her expression changes from hesitation to, once it starts, a desperate struggle between wanting to give in to pleasure and trying not to be noticed by those around, is truly superb. Furthermore, every single word Sakyan-san utters symbolizes the theme of this work and enhances its overall appeal.